Tag Archives: Inherit the Wind

Yore Movie Swells: ‘We..Rob..Banks’ and the Bonniest Lines In Classic Film Dialogue

16 Feb

Even omitting the TCM index and Shakespeare (Ed de Vere) flicks, there are more indelible lines in the remaining 100+ years of movie dialogue than there are lights to carpet a starry night sky. That includes the silent era, their captions and speaking parts in most every language under the Sun.

One clever quip certainly won’t carry a film but where there’s one golden nugget there’s sure to be more. With a top script, a director can make what would normally constitute just so many sharp looking wait-staff and personal trainers (actors) sound like gosh-darn poets.

Great dialogue can be as lengthy as Orson Welles “cuckoo clock” pitch (The Third Man) or as brief as Elizabeth Taylor’s modish “wow” as she peeked in on lonely billiard boy Montgomery Clift (A Place in the Sun).

It can be sung (The Umbrellas of Cherbourg), whistled (“Steve” in To Have and Have Not), set to motion (Davis’ coat drape on Ratloff in All About Eve), read in the wink of an eye (Poitier to cell-mate Wilson In the Heat of the Night), a raise of the eye-brows (Shearer on Lermontov news in The Red Shoes), a nod of the head (Moore’s closing answer to Huston in Out of the Past (47)), a hand gesture (Ferrer’s puppets in Lili) and even delivered in rodent-speak (Perri). Meaning that nearly every action in a film, a good one that is, makes a statement.

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Some of the quotes listed herein are célébrité (“We’re gonna need a bigger boat (Jaws)”), by itself no warrant for inclusion, others as obscure as this writer’s product. Some are funny, some sentimental, others pointed, viciously vague, suggestive in how far we’ve come or instructive in how far we have to go.

While most movie lines are best appreciated in their context, not subtext (oy vey), like “Tibbs” expert answer In the Heat of the Night (“I believe old Harv is a southpaw, now ain’t he, Shagbag (trooper)? What if he is, what’s that make him (Shagbag)? Innocent (Tibbs)”), most listed herein can stand on their own merit.

With a few exceptions, nearly all of these quotes are in English. That, even as its greatest proponent in the Bard (Shake-a-Spear) is rarely referenced, for if he (or Annie Hall) were, there‘d be no end to this write. What this list is is a smattering of the myriad of verbal gems that’ve been glittering on the silver screen for over a century and harvested in the heart by those viewers who mine for rarity.

This is a listing of memorable movie lines, a smorgasbord of flavorful offerings to sample for the film connoisseur and casual customer alike, not a ranking of the believed greatest dialogue ever delivered.

Selecting your favorites is fine and one can easily separate toppers from routine deliveries. But to claim an ability, a means to rank one line (or title (Citizen Kane (AFI #1 (ugh))) above others because you’ve consulted a cabal of credentialed critics is the highest order of arrogance and a clear sign of a film-lover fake.

So if you like classic flicks (< 2000), glory days for dialogue, and you prefer story over computerized imagery or the contemporary cocktail of gratuitous violence + sex, drink in some of these great lines, all natural flavors, gluten-free, no sugar-added and maybe one of ’em will “make (your) day.” Lights, camera, action!

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-We…rob…banks: Bonnie Parker (Faye Dunaway), Bonnie and Clyde (1967)

-Oh, I don’t know…everybody makes book on something: “Stoker Thompson (Robert Ryan),” The Set-Up (1949)

-Like Steve says, winning isn’t everything, it’s the only thing: “Carol Williams (Sherry Jackson),” Trouble Along the Way (1953)

-Sun only shines half the day, Tom (Wayne), the other half is night: “Fen (Coleen Gray),” Red River (1948)

-There are two things better than a good gun, a Swiss watch and a woman from anywhere: “Cherry (John Ireland),” Red River (1948)

-Almost anything coming out of the mouth of Edna May Oliver (1883-1942)

-How would you define ballet, Lady Neston? Well, one might call it the poetry of motion perhaps, or…(Browne). One might, but for me it is a great deal more. For me it is a religion: “Boris Lermontov (Anton Walbrook),” The Red Shoes (1948)

-Why do you want to dance (“Lermontov“)? Why do you want to live?: “Victoria Page (Moira Shearer),” The Red Shoes

-Because dear miss…what was your name (Walbrook)? Victoria Page (Shearer). Yes, Miss Page, because when I come to a party I don’t expect to sit for an audition (Anton). Yes, you are quite right: “Vicky (Shearer),” The Red Shoes

-You cannot alter human nature (Massine). No? I think you can do even better, you can ignore it!: “Lermontov (Walbrook),” The Red Shoes

-You cannot have it both ways (to “Ljubov” & “Page”). A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never!: “Boris Lermontov (Walbrook),” The Red Shoes

-I want you to dance tonite with the same ecstasy I’ve seen in you only once before. At the Mercury Theatre (Vicky). Yes, in the Mercury Theater in London, on a wet, Saturday afternoon: “Lermontov (Walbrook) (Boris now in love)”

-What the devil have you (Craster) got to be worried about? It’s a fine score, a magnificent score! I only wish I had…go on! Former lead composer and conductor “Livingston ‘Livy’ Montague (Esmond Knight),” The Red Shoes

-Vicky, Vicky, dance to whatever tempo you like. I’ll follow you! New composer and conductor “Julian Craster (Marius Goring),” The Red Shoes

-Would he (“Craster”) give it up if you asked him (Walbrook)? I don’t know (Shearer). You do know! I wouldn’t ask him. Then why is he asking you?! Does he KNOW what he’s asking?: “Lermontov (Walbrook),” The Red Shoes (the crux)

-Nobody else has ever danced the Red Shoes since you left. Nobody else ever shall. Put on the red shoes, Vicky (now entranced), and dance for us again!: “Lermontov (Walbrook),” The Red Shoes

-If I could be anyone, a child who could be brave from the beginning: “Roslyn (Marilyn Monroe),” The Misfits (1961)

-It all blows-up in your face sometimes, doesn’t it?: “Joyce Harwood (Veronica Lake);” The Blue Dahlia (1946)

-I got a new suit (Brian Donlevy). It looks like the suit got you: “The Boss (Akim Tamiroff),” The Great McGinty (1940 (loud suit))

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-You know this fish, he don’t go to school, he don’t know French but he pretty smart, too: “Manuel (Spencer Tracy),” Captains Courageous (1937)

-You (Freddie Bartholomew) show is a tonic to yoself: “Doc” the cook (Sam McDaniel),” Captains Courageous

-He (Douglas) will hug you to pieces then take those pieces home with him: “Manuel (Tracy),” Captains Courageous

-Fiddle dee-dee. War, war, war, this war talk’s spoiling the fun at every party this spring! “Scarlett O’Hara (Vivian Leigh),” Gone With the Wind (1939)

-Whistle (Gable). Gasp (Leigh). Has the war started?: “Rhett Butler (Clark Gable) (meets “Scarlett” for the first time),” Gone With the Wind

-All we’ve got is cotton, slaves and…arrogance: “Butler,” Gone With the Wind

-Frankly my dear, I don’t give a damn: “Butler (Gable) (says goodbye to his “Scarlett“),” Gone With the Wind

-But tomorrow…is another day!: “Scarlett (Leigh),” Gone With the Wind

-A tribe’s greatness is figured by how mighty its enemies be: “Del Gue (Stefan Gierasch),” Jeremiah Johnson (1972)

-Is it possible that something is holy to the celebrated agnostic (March)? Yes, the individual human mind in a child’s power to master a multiplication table, there is more sanctity than in all your shouted ‘amens,’ ‘holy holies’ and ‘hosannas!’ An idea is a greater monument than a cathedral and the advance of knowledge is a greater miracle than all the sticks turned to snakes or the parting of the waters: “Col. Henry Drummond (Spencer Tracy),” Inherit the Wind (1960).

-Progress has never been a bargain, you have to pay for it. Sometimes I think there’s a man who sits behind a counter and says, ‘all right, you can have a telephone but you lose privacy and the charm of distance. Madam, you may vote, but at a price. You lose the right to retreat behind the powder puff or your petticoat. Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline’: “Col. Henry Drummond (Tracy)

-All you have to do is knock on any door and say, ‘If you let me in I’ll live the way you want me to live and I’ll think the way you want me to think and all the blinds will go up and all the doors will open and you’ll never be lonely ever again. If that‘s the case I‘ll change the plea, this is if you know the law‘s right and you’re wrong: “Col Drummond (Tracy),” Inherit the Wind

-Mr. Brady, why do you deny the one faculty of man that raises him above the other creatures of the earth, the power of his brain to reason? What other merit have we? The elephant is larger, the horse swifter and stronger, the butterfly is far more beautiful, the mosquito is more prolific, even the simple sponge is more durable: “Col. Henry Drummond (Tracy),” Inherit the Wind

-The bible is a book. It’s a good book but it is not the only book: “Col. Henry Drummond (Tracy),” Inherit the Wind

-Youth can be so pure, what do you know of good or evil? What do you know of the sum of a man’s life? He betrayed me (Anderson)! You betrayed yourself! You see my husband as a saint, and so he must be right in everything he says and does, and then you see him as a devil and everything he does must be wrong. Well, my husband’s neither a saint nor a devil, he’s just a human being and he makes mistakes. How can you defend him? it’s not he I’m defending but the 40 years I’ve lived with this man and watched him carry the burdens of people like you. If he’s been wrong at least he stood for something. What do you stand for? Do you believe in Bertram Cates (York)? I believe in my husband. What do you believe in?: “Mrs. Sara Brady (Florence Eldridge),” Inherit the Wind

-What touches you (Kelly), what warms you? Every man has a dream. What do you dream about? What, what do you need? You don’t need anything, do you, people, love, an idea just to cling to? You poor slob. You’re all alone. When you go to your grave, there won’t be anybody to pull the grass up over your head, nobody to mourn you, nobody to give a damn. You’re all alone (Tracy). You’re wrong, Henry. You’ll be there. You’re the type. Who else would defend my right to be lonely?: “E.K. Hornbeck (Gene Kelly),” Inherit the Wind

-Nobody lives forever: “Nick (John Garfield),” Nobody Live Forever (1946)

-Spill it punk or I’ll splash your brains out!: “Mickey,” 99 River Street (1953)

-Who are you (Wood (POY)))? I’m next: “Tyrone ‘Mr. Clean’ Miller (Laurence Fishburne),” Apocalypse Now (1979)

-You can lick me if you want and I’ll still love you: “Betsy Bartlett McMasters (Claudette Colbert),” Boom Town (1940) (context)

-You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace and what did that produce, the cuckoo clock: “Harry Lime (Orson Welles),” The Third Man (1949)

-Course, a situation like that (black market) does tend to amateurs but…but, well, they (floaters) can’t stay the course: Carol Reed (narrator), The Third Man

-Be sensible, Martins (Howard). I don’t have a sensible name, Calloway: “Holly Martins (Joseph Cotton), The Third Man

-Dancing means everything to me!: “Judy (O’Hara),” Dance, Girl, Dance (1940)

-Pardon, how do I wire congratulations to the Pacific Ocean?: “Matt Libby (Lionel Stander),” A Star is Born (1937) (context)

-In Italian there is a no word for this ‘crooner (“de Vinci (Adolphe Menjou)“). That’s okay, Professor, there’s no word in English for spaghetti: “Dick Purcell (Dick Powell),” Broadway Gondolier (1935)

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-I was married twice before – once at 16, once at 21. One was a crybaby and the other was a caveman. Between the two of them I said goodbye to girlhood: “Helen Wright (Joan Crawford),” Humoresque (1946)

-Here’s to love: “Helen Wright (Joan Crawford),” Humoresque

-The earth is my body, my head is in the stars!: “Maude Chardin (Ruth Gordon),” Harold and Maude (1971)

-Oh, I don’t drink (“Harold (Bud Cort)”). It’s okay, it’s organic: “Maude (Gordon),” Harold and Maude

-It’s best not to be too moral, you cheat yourself out of too much life: “Maude (Gordon),” Harold and Maude

-I made you breakfast…scrambie eggs: “Chip (Jim Carrey),” The Cable Guy

-You mean Heather is a prostitute (“Steve”)? Of course she is, you think a girl like that’d hang out with us if she wasn’t? “Chip (Carrey),” The Cable Guy (1996)

-I always had a hard time realizing how important we are: “George Hasting (Russell Hicks),“ The Big Store (1941)

-Course, I’ll have to notify the police (Gerstle). This is a case for homicide. Homicide (O‘Brien)!? “I don’t think you fully understand, Bigelow, you’ve been murdered: “Dr. MacDonald (Frank Gerstle),” D.O.A (1950)

-I knew there was something wrong with that guy. Never met a gin-drinker yet that you could trust: “Parnell (Arthur O’Connell),” Anatomy of a Murder (1959)

-It’s up to you: Jim Garrison (Kevin Costner)), JFK (1991) (context)

-It was a violation of the most basic protection codes and the best indication of a massive plot (to kill JFK) in Dallas: “Mister X (Donald Sutherland),” JFK (1990)

-I’ll show you how a Prussian officer can fight (Schell). And I’ll show you how the Iron Crosses grow: “Sgt. Rolf Steiner (James Coburn),” Cross of Iron (1977)

-Why don’t you buzz off on your broomstick!: “Maxine (Ava Gardner),” The Night of the Iguana (1964)

-Her eyes said ‘NO’ in big, blue capital letters: “Miss Hannah Jelkes (Deborah Kerr),” The Night of the Iguana

-All women, whether they want to face it or not, want to see a man in a tied-up situation. They spend their entire lives trying to get a man in a tied-up situation. Their lives are fulfilled when they an get a man or as many men as they can into a tied-up situation!: “Shannon (Richard Burton), The Night of the Iguana

-I respect anyone who’s had to fight and howl for their decency (Kerr). What do you respect in me, Miss Thin, Standing-Up, female Buddha (Burton)!? Far more than I respect those ones who had theirs handed out to them at birth and never afterwards snatched away from them by unbearable torments: “Jelkes (Deborah Kerr), The Night of the Iguana

-And what is my problem, Miss Jeltz (Burton)? The oldest one in the world, the need to believe in someone or something, almost anyone or anything: “Jelkes (Kerr),” The Night of the Iguana

-I don’t regard a home as a place, a building, bricks, wood, stone. I think of a home a something two people have between them in which each can nest, rest, live in, emotionally speaking: “Jelkes (Kerr),” The Night of the Iguana

-I’m not a bird, Mr. Shannon. I’m a human being and when one of that unique species builds a nest in the heart of another, the questions of permanence or propagation are not the first or even the last things to be considered: “Jelkes (Kerr),” The Night of the Iguana

-There are worse things that chastity, Mr. Shannon (Kerr). Yes, lunacy and death: “Shannon (Burton),” The Night of the Iguana

-Nothing human disgusts me, Mr. Shannon, unless it is unkind or violent: “Jelkes (Kerr),” The Night of the Iguana

-How did you, how did you beat this blue devil of yours (Burton)? I showed him I could endure him and make him respect my endurance: Endurance is something spooks and blue devils respect. And they respect all the tricks panicky people use to outsmart and outlast the panic (Kerr). Like taking deep breaths (Burton)? Or rum cocoas: “Miss Jelkes (Kerr),” The Night of the Iguana

-Why don’t we go down to the beach (Gardner)? I can a…I can get down hill, Maxine, but I’m not too sure about getting back up (Burton). I’ll get you back up, Baby. I’ll always get you back up: “Maxine (Gardner),” The Night of the Iguana

-He wishes: “Charlotte Vale (Bette Davis”), Now, Voyager (1942)

-If we both try hard to protect that little strip of territory that is ours: “Charlotte (Bette Davis),” Now, Voyager

-Oh Jerry, don’t let’s ask for the moon. We have the stars: “Charlotte (Bette Davis),” Now, Voyager (context)

-(On plane, “Jack” shows his altered FBI badge now with his picture to 9 (?) boy seated aside): It looks fine…to me: Scott McAfee, Midnight Run (1987)

-You two are dumbest bounty hunters in history…you couldn’t deliver a bottle of milk!: “Jon Mardukas (Charles Grodin),” Midnight Run

-Did you ever have sex with an animal, Jack? Remember those chickens around the Indian Reservation, there were some good-looking chickens around there, Jack, you know, between us (Grodin). Yeah, there were a couple there I mighta’ taken a shot at (laughter): “Jack Walsh (Robert De Niro),” Midnight Run

-I don’t think she’s coming back (Grodin). Yeah, I don’t either, I don’t either (De Niro). Sometimes you just have to let go, just get yourself a new watch: “Jon (Grodin),” Midnight Run (context)

-What do you think you are, for Christ-sake, crazy or something? We’ll you’re not, no crazier than the average asshole out walking the street: R.P. McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest (1975)

-Koufax’ curveball is snapping off like a fucking fire-cracker: “McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest

-Somebody give me a wiener before I die!: “Randall P. McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest

-Mr. Scanlon (Fletcher)? I want to know why the dorm is locked in the daytime and the weekends: “Scanlon (Delos Smith),” One Flew Over the Cuckoo’s Nest

-A man like him (“Jim McKay“)…is very rare: “Ramon (Alfonso Bedoya),” The Big Country (1958) (context)

-All I can say McKay is you take a hell of a long time to say goodbye: “Steve Leach (Charlton Heston),” The Big Country (moonlight fistfight)

-Greenhorns have to get knocked around a little: “Jim McKay (Gregory Peck),” The Big Country (1958)

-Obviously Mr. McKay is man who is afraid of only one thing, that people may suspect him of showing off: “Julie Maragon (Jean Simmons),” The Big Country

-You want me, Pop (Connors)? Before you was born, I did: “Rufus Hannassey (Burl Ives),” The Big Country

-I’m not responsible for what people think, only for what I am: “Jim McKay (Gregory Peck),” The Big Country

-How do you like Blanco Canyon, huh (Ramón)? It’s a hell of place for sailor: “Jim McKay (Gregory Peck),” The Big Country

-Some people you can’t insult at all, others get upset over the littlest thing: “Pat Terrell (Carroll Baker),” The Big Country

-An amazingly good actor met an amazingly receptive audience: Napoleon Bonaparte (Claude Rains), Hearts Divided (1936)

-Almost anything that came out of the mouth of Ned Sparks (1883-1957)

-And how is your cousin, Edmond de Boeldieu, who was Military Attaché in Berlin (von Stronheim)? He is well and happy. He lost an arm and married a very rich wife (Fresnay). A fine career: “Captain von Rauffenstein (Erich von Stronheim),” The Grand Illusion (1937)

-I ain’t spittin’ on my whole life: “Monte (Lee Marvin),” Monte Walsh (1970 (turning down job as a Western dude))

-I want to make love to you until you scream (Morris). Can’t scream!: “Jerry Martin (Norma Shearer),” The Divorcee (1930)

-She’s a grifter, just like her brother. Probably had grifter parents and grifter grandparents and someday they’re each gonna’ spawn little grifter kids: “Tom (Gabriel Byrne),” Miller’s Crossing (1990)

-Nobody knows anybody, not that well: “Tom (Byrne),” Miller’s Crossing

-Old man’s still an artist with the Thompson: “Terry (L.Flaherty),” Miller’s

-If you can’t trust a fix, what can you trust?: “Caspar (J.Polito),” Miller’s

-You used to be big (Holden). I am big, it’s the pictures that got small: “Norma Desmond (Gloria Swanson),” Sunset Boulevard (1950)

-There were children in those days (Revolution) who lived off human flesh: “Lt. Gen. Yevgraf Andreyevich Zhivago (Alec Guinness),” Doctor Zhivago (1965)

-Don’t you want to believe it (Guinness)? Not if it isn’t true!: “Tonya Komarova (Rita Tushingham),” Doctor Zhivago

-A nameless number (Christie) on a list that was later mislaid: Lt. Gen. Yevgraf Andreyevich Zhivago (Alec Guinness),” Doctor Zhivago

-You only had one glass (Cowan)? But you kept filling it up: “Jeffrey Baird (Edward Everett Horton),” Shall We Dance (1937)

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-I want to change their minds, not kill them for having the same weaknesses we all possess: Mohandas Gandhi (Ben Kingsley), Gandhi (1982)

-It’s the story of my life, I always get the fuzzy end of the lollipop: “Sugar (Marilyn Monroe), Some Like It Hot (1959)

-You don’t’ understand Osgood, I’m a man (Lemmon)! We’ll, nobody’s perfect: “Osgood Fielding III (Joe E. Brown),” Some Like It Hot

-I’m getting a cramp in the most peculiar place: “Francesca Cunningham (Ann Todd),” The Seventh Veil (1945)

-Life is short, art long, decision difficult and experiment perilous: “Bederaux (Paul Lukas),” Experiment Perilous (1944)

-So help me, he (Jordan Benedict IV) looks like a little wet-back: “Bick Benedict (Rock Hudson),” Giant (1956)

-Never trust a nigger (Hackman). He could’ve been white (Scheider). Never trust anyone!: “Popeye Doyle (Gene Hackman),” The French Connection (1971)

-Take your last look at free-side, kid: Inmate (Gail Bonney?), Caged (1950)

-For that forty bucks I heisted, I certainly got myself an education: “Marie Allen (Eleanor Parker),” Caged (1950)

-Can’t beat aces: “Nick (Humphrey Bogart),” The Wagons Roll at Night (1941)

-La-dee-da, la-dee-da: “Annie Hall (Diane Keaton),” Annie Hall (1977)

-The only word for this is transplendent: “Pam (Shelley Duvall),” Annie Hall

-You know how to whistle, don’t you Steve? You just put your lips together and, blow: “Slim (Lauren Bacall),” To Have and Have Not (1944)

-He didn’t invent it (Bogart). Invent what (Moran)? Being afraid: “Harry ‘Steve’ Morgan (Humphrey Bogart),” To Have and Have Not

-What manner of man is it I’ve married (O‘Hara)!? A better one than I think you know, Mary Kate: “Hugh Forbes (Charles Fitzsimmons),“ The Quiet Man (1952)

-There’ll be no bolts or locks between us Mary Kate, except those in your little mercenary heart: “Sean Thornton (John Wayne),” The Quiet Man

-As only an American would think of emerald green! “Elizabeth Playfair (Eileen Crowe),” The Quiet Man (Sean’s new cottage)

-By the way, don’t underestimate Danaher, he’s got a tremendous right and jaw of granite: “Rev. Cyril Playfair (Arthur Shields),” The Quiet Man (persuading)

-Will you join me in a glass of…no…you’ll be in training now, of course: “Playfair (Shields),” The Quiet Man (converted)

-No, no, you just said you loved her. There’s some difference between lovin’ and likin.’ When I married Jennie’s mother, I-I didn’t love her, I liked her, I liked her alot. I liked Martha for at least three years after we were married and then one day it just dawned on me I loved her. I still do…still do. You see, Sam, when you love a woman without likin’ her, the night can be long and cold, and contempt comes up with the sun: “Charlie Anderson (Jim Stewart),” Shenandoah (1965)

-(Test bout) I won’t hurt you…I don’t think I’ll even hit you: “Harry Watson (Rhys Williams),” Gentleman Jim (1942 (test)

-Being a good loser is hard but being a good winner is even harder: John L. Sullivan (Ward Bond, handing first belt dated 7.4.1887 to new champion, James J. Corbett), Gentleman Jim (1942)

-Right or wrong, the brand sticks: “Shane (Alan Ladd),” Shane (1953)

-Shane, there’s too many!: “Joey (Brandon deWilde),” Shane (1953)

-♫ Some enchanted evening, you will see a strangeeeeeer ♫: “Nobody Falfa (Harrison Ford),” American Graffiti (1973)

-Rome wudn’t burnt in a day: “Joe (Bo Hopkins),” American Graffiti (1973)

-Why don’t you kiss my sister’s black cat’s ass: “Clarence ‘Crazy’ Lee (Bo Hopkins),” The Wild Bunch (1968)

-Wunden mein herz mit einer monotonen mattigkeit (Wounds my heart with a monotonous languor): German officer, The Longest Day (1962)

-You see, Mr. Gittes (Jack Nicholson), most people never have to face the fact that at the right time and the right place they’re capable of anything: “Noah Cross (John Huston),” Chinatown (1974).

-Course I’m respectable. I’m old. Politicians, ugly buildings and whores all get respectable if they last long enough: “Noah Cross (Huston), Chinatown (1974)

-I hope you don’t mind. I believe they should be served with the head (“Cross (John Huston)”). Fine, just as long as you don’t serve chicken that way: “Jake Gittes (Jack Nicholson),” Chinatown

-Almost anything that came out of the mouth of Thelma Ritter (1902-69)

-That must be your friend over there. They didn’t leave much of him (Evans). Must have taken out his heart, eh?: “Bubba (Geoff Parry),” Mad Max (1979)

-When it’s time to shoot, shoot, don’t talk: “Tuco (Eli Wallach),” The Good, the Bad and the Ugly (1966)

-There are two kinds of people in this world, Tuco, those with loaded guns and those who dig. You dig: “Blondie (Eastwood),” The Good, the Bad & the Ugly

-You’re (Eastwood) the son of a 1000 fathers, all of them bastards, too!: “Tuco (Wallach),” The Good, the Bad and the Ugly

-How’s that calf ever gonna’ dry off if she keeps licking her?: “Arnold (Butch Jenkins),” Our Vines Have Tender Grapes (1945)

-I’m five (Jenkins). Oh!: “Viola Johnson (Frances Gifford),” Our Vines Have Tender Grapes (1945, most adorable ‘Oh’ in movie history)

-You’re capable of such beautiful dreams and horrible nightmares: Vegan as dad of “Ellie Arroway (David Morse),” Contact (1997)

-In the few hours we had together we loved a lifetime’s worth: “Sarah Connor (Linda Hamilton),” The Terminator (1984)

-I’ll be back: “T-800 Model 101 cybernetic android (Arnold Schwarzenegger),” Terminator 2: Judgment Day (1991 (in friendship v, 1984 bad guy))

-There is no fate but what we make: the younger “John Connor (Ed Furlong),” Terminator 2: Judgment Day

-Phoebe, I call myself Phoebe (Bates)! And so you should: “Addison DeWitt (George Sanders),” All About Eve (1950) (sarcasm)

-It’s time the piano learned it didn’t write the concerto!: “Lloyd Richards (Hugh Marlowe),” All About Eve

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-Fasten your seatbelts, it’s going to be a bumpy nite!: “Margo Channing (Bette Davis),” All About Eve

-Some folks say things never die, they just go on livin’ in a different way: “Will (Dan) (George Montgomery),” Gun Duel In Durango (1957)

-♫ Farewell and adieu to you fair Spanish ladies, farewell and adieu to you ladies of Spain ♫: “Quint (Robert Shaw), Jaws (1975)

-Here lies the body of Mary Lee, died at the age of a hundred and three, for 15 yrs she kept her virginity, not a bad record in this vicinity: “Quint (Shaw), Jaws

-Know the thing about a shark he’s got…lifeless eyes, black eyes like a doll’s eyes. When he comes at ya,‘ doesn’t seem to be livin,’ until he bites ya,’ and those black eyes roll over white and then…aw then you hear that terrible high pitched screamin,’ the ocean turns red in spite of all the poundin’ and hollerin’ and they all come in and they…rip ya’ to pieces: “Quint (Shaw), Jaws

-I used to be afraid of the water (“Brody”). I can’t imagine why: “Hooper,” Jaws

-Do you think this was all the work of little Don Segretti? “Deep Throat (Hal Holbrook),” All The President’s Men (1976)

-I screwed up (revealing LBJ plan to replace FBI’s J. Edgar Hoover), but I wasn’t wrong: Bradlee (Jason Robards), All the President’s Men

-I have a wife, family, dog and a cat!: Clawson voice, All The President’s Men

-You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath, rest up, 15 minutes. Then get your asses back in gear. We’re under a lot of pressure, you know, and you put us there. Nothing’s riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys fuck up again, I’m going to get mad: Ben Bradlee (Jason Robards), All the President’s Men

-Death ends a life, but it doesn’t end the relationship which struggles on in the survivors mind towards some resolution which it may never find: “Gene Garrison (Gene Hackman),” I Never Sang to My Father (1970)

-For over a thousand years Roman conquerors returning from the wars enjoyed the honor of a tumultuous parade. In the procession came trumpeters, musicians and strange animals from conquered territories, together with carts laden with treasure and captured armaments. The conquerors rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children robed in white stood with him in the chariot or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering a warning that all glory is fleeting: General George S. Patton (George C. Scott), Patton (1970)

-I have alot of faults, Brad, but ingratitude isn’t one of ‘em. I owe you alot. Hell, I know I’m a prima donna. I admit it. What I can’t stand about Monty is, he won’t admit it: General Patton (Scott), Patton

-Who said anything about Palermo (Gen.Patton)? I can read a map! General Omar Bradley (Karl Malden), Patton

-What son of bitch (Bradley) is in charge of this operation (G.I.)!? I don’t know but they aughta’ hang him: Omar Bradley (Malden), Patton

-Gen. Alexander says you are not to take Palermo (staffer). Ask him if he wants me to give it back: George Patton (Scott), Patton

-You’re right, Dick, the world grew up. Hell of a shame…god how I hate the 20th century: George Patton (Scott), Patton

-You (Guinness)? Youuuuuuu: “Commander Shears (William Holden),” The Bridge On the River Kwai (1957)

-Go Bears!: Hooker #2 (Melissa Peterman), Fargo (1996) (context)

-Thanks a bunch!: “Chief Marge Gunderson (Frances McDormand),” Fargo

-Being crazy about a woman (Burnstyn) like her was always the right thing to do: “Sam the Lion (Ben Johnson),” The Last Picture Show (1971)

-Her and her husband was…young and miserable with one another like so many young married folks are: “Sam (Johnson),” The Last Picture Show

-Sonny, your food’s gettin’ cold: “Sam (Ben),” The Last Picture Show (mercy)

-We play the game, fate controls the cards: “Grandpere (A.Hale),” Algiers (38)

-Who ever heard of starting a war in December!: “Violet Price (Spring Byington),” The Enchanted Cottage (1945)

-Get up, Spartacus, you Thracian dog! Roman legion (?), Spartacus (1960)

-You might even be intelligent..dangerous for a slave: “Marcellus,” Spartacus

-Most Romans love her (the City) as their mother but Crassus (Olivier) dreams of marrying the old girl: “Gracchus (Charles Laughton),” Spartacus

-It would take a great woman to get Crassus to fall out of love with himself: “Gracchus (Laughton), Spartacus

-When a free man dies he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That’s why he’s not afraid of it: Spartacus (Kirk Douglas),” Spartacus

-You’ve already been made a fool (Dall), let’s not add the trappings of a clown: Crassus (Laurence Olivier), Spartacus

-I am Spartacus!: “Antoninus et al (Tony Curtis et al),” Spartacus

-Let us drink to a new world of gods and monsters!: “Dr. Pretorius (Ernest Thesiger),” Bride of Frankenstein (1935)

-Almost anything that came out of the mouth of Hattie McDaniel (1895-52)

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-It was a glorious time. The wise guys were all over the place. It was before Appalachia: “Henry Hill (Ray Liotta), Good Fellas

-Now go home and get your fuckin’ shine-box (to “Tommy”)!: “Billy Batts (Frank Vincent),” Good Fellas (1990)

-I’m funny how, I mean funny like I’m a clown, I amuse you, I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how, how am I funny?: “Tommy (Joe Pesci),” Good Fellas

-If there is any doubt, there is no doubt: “Sam (Robert De Niro),” Ronin (1998)

-What we have here is…a failure…to communicate: “Captain (Strother Martin),” Cool Hand Luke (1967)

-Stay down, your beat!: “Dragline (G.Kennedy),” Cool Hand Luke (empathy)

-There’s gonna’ be a whole lotta’ world shaking going on, Luke. We’ll send ya’ a postcard: “Dragline (Kennedy),” Cool Hand Luke

-Sometimes nothin’ can be a real cool hand: “Luke (Newman),” Cool Hand Luke

-What, are you calling me a liar (Dragline)? No, just that you have a common & likable tendency towards exaggeration: “Society (J. Cannon),” Cool Hand Luke

-Nobody can eat 50 eggs: “Society (J.D. Cannon),” Cool Hand Luke (stubborn)

-♫ As he started to go I started to know how it feels when the universe reels ♫: “Esther Smith (Judy Garland),” Meet Me In St. Louis (1944)

-♫ Soooo, have yourself a merry little Christ..mas…nooooooooooooooow ♫: “Esther (Garland),” Meet Me in St. Louis

-You shouldn’t kiss a girl when you’re wearing that gun, leaves a bruise: “Helen (Velma) (Claire Trevor),” Murder My Sweet (1944)

-Hey, you done good, buddy boy (Smith). Thanks, Daddy-Oh!: “Anybody’s (Susan Oakes),“ West Side Story (1961)

-Huh?: ”Del Griffith (John Candy),” Planes, Trains & Automobiles (1987) (his surprise after plowing into a bad motel and just before burn-rubber getaway)

-We have about as good a chance of playing pick-up-sticks with our butt-cracks as we do getting a flight out of here tonite: “Del Griffith (John Candy),” Planes, Trains and Automobiles (1987)

-Love is not a big enough word (for my wife): “Del Griffith (John Candy),” Planes, Trains and Automobiles

-Daddy! “Marti Page (O. Burnette),” Planes, Trains and Automobiles (home)

-Those aren’t pillows! “Neal (Steve Martin),” Planes, Trains and Automobiles

-You don’t need to be crazy to do this but it doesn’t hurt: “Buck Kennedy (Buck Jones) (roping routine),“ Hollywood Round-Up (1935 (context))

-So shines a good deed in a weary world (de Vere): “Willy Wonka (Gene Wilder),” Willy Wonka & the Chocolate Factory (1971)

-I aughta’ take this pencil and draw a circle around you: “Billie (Judy Holliday),” Born Yesterday (1950)

-I’ve never been insured in my life. I don’t believe in it. There’s no risk: “Lewis Medlock (Burt Reynolds).” Deliverance (1972)

-Sometimes you have to lose yourself before you can find anything: “Lewis Medlock (Burt Reynolds),” Deliverance

-This corn is special, isn’t it?: “Bobby Trippe (Ned Beatty),” Deliverance (to break the mood (“Ed”) at the dinner table)

-Why do you wanta’ go messin’ with that river (Seamon Glass)? Because it’s there!: “Lewis (Reynolds),“ Deliverance

-Almost anything that came out of the mouth of Frank Morgan (1890-49)

-Well, we’re back (gasp) in the car again (Mazzello). Well, at least you’re out of the tree: “Dr. Alan Grant (Sam Neill),” Jurassic Park (1993)

-They remember: “Robert Muldoon (Bob Peck),” Jurassic Park

-What are you rebelling against, Johnny ((Maley)? What do ya’ got?: “Johnny (Marlon Brando),” The Wild One (1953)

-I’m gonna’ go down there (pier) and get my rights: “Terry Malloy (Marlon Brando),” On the Waterfront (1956)

-I coulda’ been contender. I coulda’ been somebody, instead of a bum, which is what I am: “Terry (Brando),” On the Waterfront

-Then shut your mouth…before your guts run out: “Crunch (Frank Mazzola),“ Rebel Without a Cause (1955)

-And what about you (Wood)? Are you always at ringside?: “Jim ‘Jamie’ Stark (James Dean),” Rebel Without a Cause

-Welcome to the wonderful world of pussy, Meadows: “Signalman 1st Class ‘Badass’ Budusky (Jack Nicholson),“ The Last Detail (1973)

-Madam, please!: “Andrew Larkin (Van Johnson),” In the Good Old Summertime (1949, to repel anymore wind-aided brush-ups from “Veronica”)

-What am I, a criminal, a murder (Granger)? You might be if you keep driving through town at 85 miles per hour: “Cindy (Jane Powell), Small Town Girl (53)

-You want a player who won’t fight back? I want a ball-player who’s got the guts to not fight back: Rickey (Minor Watson), The Jackie Robinson Story (1950)

-30,000 (“Baptista (Kaszner)” offer to marry his daughter)! Fatheeeeeer!: “Petruchio (Howard Keel),” Kiss Me Kate (53) (deal struck)

-Well!? I wont to be alone: “Grusinskaya (Greta Garbo),” Grand Hotel (1932)

-Grand Hotel, always the same, people come, people go, nothing ever happens: “Dr. Otternschlag (Lewis Stone), Grand Hotel

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-Dyin,’ that’s easy, choosin’ a way to live, that’s the hard part: “Ben Vandergroat (Robert Ryan),” The Naked Spur (1953)

-How perfectly delightful it is to be sure.” Robert Crumb, Crumb (1994)

-Oh no, it wasn’t the airplanes. It was beauty killed the beast: “Carl Denham (Robert Armstrong),” King Kong (1933)

-Fortune’s ally to the brave: “Zeus (Laurence Olivier),” Clash of the Titans (81)

-What was his business (cop)? He used to be a big-shot: “Panama Smith (Gladys George),” The Roaring Twenties (1939)

-They aughta’ put you in mass production: “Fred (Dana Andrews),” The Best Years of Our Lives (1946) (to Theresa Wright)

-It’s funny, the things we love best are either illegal, immoral or make us fat: “Terry McKay (Irene Dunne),” Love Affair (1939)

-Who’s this (#2 on phone)? It’s me..it’s you..it’s us (#1)! Hold on a second (#2). Great, now I can’t even talk to myself: “’Steve (Keaton),’” Multiplicity (96)

-Sad state of affairs when a man has to indulge his vices by proxy: “General Sternwood (C. Waldron),” The Big Sleep

-You’re the only one I’ve met who didn’t claim to know everything in the whole world: “Collister (Beeson Carroll),” Bound for Glory (1976)

-He’s (workin’ folk) afraid to smile ‘cause somebody’s gonna’ swipe his teeth out of his mouth: Woodrow Wilson Guthrie (David Carradine), Bound for Glory

-She knows! Anne Sullivan (Anne Bancroft), The Miracle Worker (1962 (With Anne’s help, blind – deaf girl Helen Keller has an epiphany)

-I’m not gonna’ live by their rules, anymore!: “Phil Connor (Bill Murray),” Groundhog Day (1993 (driving car on train-tracks))

-Sextus, you once said ‘how’ to fight an idea…with another idea: “Messala (Stephen Boyd),” Ben Hur (1959)

-Bravely stated: “Sheik Ilderim (Hugh Griffith),” Ben-Hur (1959 (sarcasm)

-The cheaper the crook (Cook) the gaudier the patter: “Sam Spade (Humphrey Bogart),” The Maltese Falcon

-Why shouldn’t you (guess) if you’ve nothing to conceal (D.A. (J.Hamilton))? Everybody has something to conceal: “Spade (Bogart),” The Maltese Falcon

-You have always, I must say, a smooth explanation ready (Lorre). What do you want me to do, learn to stutter?: “Sam (Bogart),” The Maltese Falcon

-You are a liar (Bogart). I am. I’ve always been a liar (Astor). Well don’t, don’t brag about it. Was there any truth at all in that yarn? Some. Not very much: “Brigid O’Shaughnessy (Mary Astor),” The Maltese Falcon

-Suppose I wouldn’t tell you anything at all. What would you do, something wild and unpredictable (Astor)? Maybe: “Sam (Bogart),” The Maltese Falcon

-What is it (Ward Bond)? The a…stuff that dreams are made of: “Sam Spade (Bogart),” The Maltese Falcon

-I know where all the nukes are and I know the codes. You would be amazed, alot of shopping malls…DON’T repeat that!: “Megan (McCarthy),” Bridesmaids (’11)

-Temptation resisted is the truest measure of character: “Louis Dega (Dustin Hoffman),” Papillion (1973)

-I know, I know, feed ‘em, fly ‘em, then forget ‘em: “Ace Boreman (William Gargan),” Women in the Wind (1939)

-Is there a Northwest passage (Hussey)? Who knows. It’s always a man’s dream to find a short route to his heart’s desire: “Langdon Towne (Robert Young),” Northwest Passage (1940)

-Do you wanta’ play with us? Okay. Say ‘ello to my l’il friend!: “Tony Montana (Al Pacino),” Scarface (1983) (then, rat-a-tat-tat)

-I’m gonna’ make him (John Marley (“Director Jack Woltz”)) an offer he can’t refuse: “Vito Corleone (Marlon Brando),” The Godfather (1972)

–Ohhhh! It damn hurts (Fowler snuffing a match)! Certainly it hurts (O‘Toole). Well what’s the trick then? The trick, William Potter is not minding that it hurts: T.E. Lawrence (Peter O‘Toole), Lawrence of Arabia (1962)

-Aqaba! T.E. Lawrence (O’Toole), Lawrence of Arabia (it begins)

-Nothing is written: T.E. Lawrence (O‘Toole), Lawrence of Arabia

-He (Lawrence) was a scholar, a poet and a mighty warrior. He was also the most shameless exhibitionist since Barnum & Bailey: “Jackson Bentley (Arthur Kennedy),” Lawrence of Arabia

-But the Krell forgot one thing: Monsters, John (Neilson), monsters from the Id: “Lt. “Doc” Ostrow (Warren Stevens),” Forbidden Planet (1956)

-It is through error that man tries and rises. It is through tragedy he learns. All the roads of learning begin in darkness and go out into the light…Hippocrates of Cos: The Body Snatcher (epilogue) (1945)

-J’adore le passé. C’est beaucoup plus pacifique que le présent (I adore the past. It’s so much more peaceful than the present): “Meneur de Jeu (“Game Master”) (Anton Walbrook),” La Ronde (1950)

-♫ Gone again, skip to my Lou, gone again, skip to my Lou, gone again, skip to my Lou, skip to my Lou my Darling ♫: “Charlie (K. Curtis),” The Searchers (56)

-I too believe that everyone should have a chance at a breath-taking piece of folly, once in his life: “Mrs. Brown (Ann Revere),” National Velvet (1945)

-What’s the meaning of goodness if there isn’t a little badness to overcome?: “Mrs. Brown (Ann Revere), National Velvet

-So many currents in such a little puddle: “Mr. Brown (Crisp),” National Velvet

-That’ll be a dispute to the end of time, Mr. Brown, whether it’s better to do the right thing for the wrong reason or the wrong thing for the right reason: “Mrs. Brown (Ann Revere),” National Velvet

-Who’s been in my box (Velvet)? Me (Donald). ‘I (Edwina correcting).’ You, too? “Donald Brown (Jackie Jenkins), National Velvet

-I’ll have a dubonnet with a twist (in the old Russian Tea Room (NYC)): “Michael Dorsey / Dorothy Michaels (Dustin Hoffman),” Tootsie (1982)

-I need a $1000 (Hoffman). For what (Pollock)!? For what! For what!: “Michael (Dorothy) (Hoffman),” Tootsie

-Time for courage: “Sydney Carton (Ronald Colman),” A Tale of Two Cities (1935) (pre-guillotine, comforts young “seamstress (Isabel Jewells)”)

-Makes the crown jewels in the Tower of London look like costume jewelry: “Peachy Carnehan (Peter O’Toole),” The Man Who Would Be King (1975)

-There hasn’t been a kiss like that since the beginning of time: “Peter Standish (Leslie Howard),“ Berkeley Square (1933)

-Oh, only which three books would you (Lloyd) have taken?: “David Filby (Alan Young),” The Time Machine (1960, at close)

-Max, how do you feel about getting old? I always feel like I’m starting over: “Jackie Brown (Pam Greer),” Jackie Brown (1997)

-Oh, how I love you, love you, love you, love you (to Garner)!: “Karen Wright (Audrey Hepburn),” The Children’s Hour (1961)

-Move your bloomin’ ass!: “Eliza (Audrey Hepburn),“ My Fair Lady (1964)

-Why don’t you sing a song (Rooney)? How do you know I can sing (Garland)? You sing when you walk, when you talk. Why your eyes, why they’re singing right now: “Tommy Williams (Mickey Rooney),” Babes on Broadway (1941)

-I’m watching you! “Jack Byrnes (Robert Di Nero (father) with two-fingered gesture to Ben Stiller),” Meet the Parents (2000)

-Nothing so revolting to the young as the sight of their elders at play: “Rupert Venneker (Peter Ustinov),” The Sundowners (1960)

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-If it ain’t Wham, it ain’t ham!: “Gussie (Louise Beavers),” Mr. Blandings Builds His Dream House (1948)

-Mrs. Blandings little flower sink!: “Jim Blandings (Cary Grant),” Mr. Blandings Builds His Dream House (thoroughly frustrated)

-I do not care that you are not Chapel. I am with you! “Mr. Jones (Rhys Williams),” The Corn is Green (1945)

-I have never talked to a man for more than five minutes without wanting to box his ears: “Miss Lilly Moffat (Bette Davis),” The Corn Is Green

-If you do I shall strike you (“Bessie”) so hard I shall probably kill you: “Miss Moffat (Bette Davis),” The Corn is Green (young tart plays risky game)

-What happened (Dunnock)? We’ve met the Squire (Bruce) and he is ours! In ten minutes I have given the Squire the impression that he spends his whole time posturing genius in the illiterates. How? By soft soap and courtesy: “Lily Moffat (Bette Davis),” The Corn Is Green

-One shot: “Michael Vronsky (Robert De Niro),” The Deer Hunter (1978)

-You know we’re always fascinated when we find leg-irons with no legs in ‘em: “Deputy U.S. Marshal Samuel Gerard (Tommy Lee Jones),” The Fugitive (1993)

-Newman (Gerard)? Yes (Wood)? What are you doing? Thinking. Well think me up a cup of coffee and a doughnut with some of those sprinkles on ’em! “Deputy Gerard (Tommy Lee Jones),” The Fugitive

-Can you hear me now? Yes (Wood). I don’t bargain: “Gerard,” The Fugitive

-They killed my wife (Ford). I know Richard, I know: “Gerard,” The Fugitive

-I thought you didn’t care (Harrison Ford)? I don’t. Don’t tell anybody: “Deputy Gerard (Tommy Lee Jones),” The Fugitive

-What I want from each and every one of you is a hard target search in every gas station, residence, warehouse, farmhouse, henhouse, outhouse and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive’s name is Dr. Richard Kimble. Go get him!: “Gerard (Jones),” The Fugitive

-Look at this, we’re eatin’ oranges & makin’ IDs: “Gerard (Jones),” The Fugitive

-If they can dye the river green today, why can’t they dye it blue the other 364 days of the year?: “U.S. Marshal Robert Biggs (Daniel Roebuck),” The Fugitive

-And not only did they all come from healthy livers, they all came from the same liver (Lynch). Kathy you beauty: “Dr. Kimble (Harrison Ford),” The Fugitive

-Don’t worry, we’ll find her (Mom) for you. What are you, a football player, baseball player? Football (Robinson). Hey Doctor, they sent this one from downstairs. Get this one into Room Four, stat (Bruce)! Bye-bye, Joel: “Dr. Richard Kimble (Ford),” The Fugitive

-Richard!: “Gerard (Jones),” The Fugitive (spots RK descending City stairway)

-Hi!: Registration-table greeter girl (?), The Fugitive (flashback)

-Officer, officer, there’s a man in a blue coat waving a gun and screaming…at a woman: “Dr. Kimble (Ford),” The Fugitive (throwing off the cops)

-Frederick Sykes, 45, ex-cop and quite the clothshorse: “U.S. Marshal Erin Poole (L. Scott Caldwell),” The Fugitive

-Almost anything that came out of the mouth of Agnes Moorehead (1900-74)

-Wait a minute. I played a dirty trick on you (Garland). You better know, then you won’t feel so bad. When I offered to give you that song…I really didn’t mean it. I was playing you for a sap. I wanted to fix it so you’d give me a chance to try out with you. And all that sob stuff about me being ashamed of myself, that was just a bid for sympathy. I wasn’t ashamed, I thought I was being pretty cute. I’m ashamed now though. And this time, when I say I’m a heel, well, I’m not kidding: “Harry Palmer (Gene Kelly),” For Me and My Gal (1942)

-Is that alright with you (McNally)? You bet it’s alright!: “Jo Hayden (Judy Garland),” For Me and My Gal

-Hello, America, hang on to your lights, they’re the only lights left in the world!: “Huntley Haverstock (Joel McCrea),” Foreign Correspondent (1940)

-It is a crush, isn’t it (shelter)?: “Myra (Vivien Leigh),” Waterloo Bridge (1940)

-Myra’s just a sweet child, you can see that, can’t you (Field)? I can see that: “Captain Roy Cronin (Robert Taylor),” Waterloo Bridge

-You’re rather matter-of-fact (“Roy (Robert Taylor)”). And you’re a romantic: “Myra (Vivian Leigh),” Waterloo Bridge

-Here, take this (Leigh). You’re lucky charm (Taylor)!?: “Roy (Taylor),” Waterloo Bridge (+ music = most sentimental)

-War is no excuse for indecorum: “Madame (Ouspenskaya),” Waterloo Bridge

-The worst ain’t so bad when it finally happens: “Bob Curtin (Tim Holt),” The Treasure of Sierra Madre (1948)

-That’s Africa for you, one man dead, two beasts killed and no one the better for it: “Trader Horn (Harry Carey),” Trader Horn (1931)

-The lions let the jackal join in the kill (because) the jackal helps lead the lions to water: “Horn (Carey),” Trader Horn

-I don’t know why they named it after Thompson (gazelle). I showed him his first. Thompson was one of those guys who liked to carve his name into trees: “Aloysius ‘Trader’ Horn (Harry Carey),” Trader Horn

-(Africa) Either you’re killing someone to eat ‘em or trying to keep someone from killing you: “Trader (Carey),” Trader Horn

-One-she (one more (Sioux)): “Wind In His Hair (Rodney Grant),” Dances With Wolves (1990, warrior urges “Lt. Dunbar” to sit for one more story)

-This one’s for your shirts (Frankenstein), this other’s just for socks and poo-poo undies: “Elizabeth (Madeline Kahn),” Young Frankenstein (1974)

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-Well, uh, this Delores, she, uh, she’s real proud of what nature done for her, you know? Anyway, she asks me, she says, uh, ‘Don’t you think I got classy build?’ And I say, ‘Sure.’ And so she starts to show me, but I didn’t do nothin’ wrong. I just didn’t stop her form tryin’ to prove her point: “Harvey (Scott Wilson), In the Heat of the Night (1967, speaking to “Tibbs” in jail cell)

-I’ve had it up to here (hand to throat) with your town (Poitier)! Boy, it would give me a world of satisfaction to horsewhip you, Virgil (Steiger)! My father used to say that (laughing), even did, once or twice (Poitier). Yeah, well, not enough to suit me!: “Chief Gillespie (Rod Steiger),” In the Heat of the Night (1967)

-I’m tellin’ you that you’re gonna’ stay. You’ll stay here if I have to have your chief remind you what he told you to do. But I don’t think I have to do that, you see? No. Because you’re so damned smart. You’re smarter than any white man. You’re just gonna’ stay here and show us all. You could never live with yourself unless you could put us all to shame. You wanta’ know something, Virgil? I don’t think that you could let an opportunity like that pass by: “Chief Gillespie (Rod Steiger),” In the Heat of the Night

-I can pull that fat-cat down. I can bring him right off this hill (Poitier)! Oh boy, man, you’re just like the rest of us? “Chief (Steiger),” In the Heat of the Night

-Thank you. Bye bye (Steiger). Bye (Poitier). Virgil? You take care now, ya’ hear (Steiger)? Yeah (Poitier (smile)): In the Heat of the Night (progress)

-With experience it seems possible to control the flow of the paint to a great extent. And I don’t use, I don’t use the accident because I deny the accident: Jackson Pollock (Ed Harris), Pollock (2000)

-Modern art, to me is nothing more than the expression of the contemporary aims of the age that we’re living in: Jackson Pollock (Ed Harris), Pollock

-There are no stars (in rugby). That’s soccer: “Frank Machin (Richard Harris),” This Sporting Life (1963)

-Well, don’t bother Sefton. I don’t like you. I never did and I never will (Graves)! Alot of people say that and the first thing you know, they get married: “Sgt. J.J.Sefton (William Holden),” Stalag 17 (1953)

-Ach soooo: “Sefton (Holden),” Stalag 17 (rat found)

-Welcome to Sherwood, me Lady! ”Sir Robin of Locksley (Errol Flynn),” The Adventures of Robin Hood (1938)

-The Internal Affairs people were here hours ago. Two college educated little pricks! Acted like they was born & breed in Ohio: “Mrs. Ritter (Geraldine Page),” The Pope of Greenwich Village (1984)

-Blood? we’re not fucking blood, we’re third cousins (Mickey Rourke). With Italians, it’s like twin brothers with the Irish: “Barney” the safe-cracker (Ken McMillan), The Pope of Greenwich Village

-You got a sense of honor, I can smell it in ya!’ “Barney” the safecracker (Ken McMillan),” The Pope of Greenwich Village

-I’m not just an entertainer, I’m an influence, wielder of opinion, a force: “Larry ‘Lonesome’ Rhodes (Andy Griffith),” A Face In the Crowd (1957)

-They’re trained-seals (audience). Throw ‘em a dead fish and watch ‘em flap their flippers: “Lonesome (Griffith),” A Face In the Crowd

-Wait’ll I get to California! Gonna’ reach up and pick me an orange whenever I want it, or grapes. That there’s somethin’ I ain’t never had enough of! Gonna’ get me a whole bunch a grapes off a bush and I’m gonna’ squash ’em all over my face and just let the juice drain down offa’ my chin (Grapewin). Pa-raise the Lord for victory (Tilbury)! Maybe I get me a whole washtub fulla’ them grapes and just sit in ’em and scrooge around till they was gone!: “Grampa Joad (Charlie Grapewin),” The Grapes of Wrath (1940)

-Well, maybe it’s like Casy says, a fella’ ain’t got a soul of his own, but only a piece of a big soul, the one big soul that belongs to everybody, and then…Then what, Tom (Darwell)? Then it don’t matter. Then I’ll be all around in the dark. I’ll be everywhere, wherever you look. Wherever there’s a fight so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad and I’ll be in the way kids laugh when they’re hungry and they know supper’s ready. And when our people eat the stuff they raise and live in the houses they build, why, I’ll be there too: “Tom Joad (Henry Fonda),” The Grapes of Wrath

-A woman can change better than a man can. A man lives in jerks. A baby’s born or then somebody dies, that’s a jerk. He gets a farm or loses one, and that’s a jerk. With a woman it’s all in one flow, like a stream, like little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that: “Ma Joad (Jane Darwell),” The Grapes of Wrath

-Maybe, but we’ve sure takin’ a beatin (Simpson). I know. Maybe that makes us tough. Rich fellas come up and they die, and their kids ain’t no good, and they die out. But we keep a-comin’. We’re the people that live. Can’t nobody wipe us out. Can’t nobody lick us. We’ll go on forever, Pa. We’re the people: “Ma Joad (Darwell),” The Grapes of Wrath

-Where to now (Faye)? Home: “Eric Stanton (Dana Andrews),” Fallen Angel (1945) (closing line – love realized)

-You (Fonda) look like the last grave over near the willow: “Jean Harrington (Barbara Stanwyck),” The Lady Eve (1941)

-Plastics (to “Ben”): “Mr. McGuire (Walter Brooke),” The Graduate (1969)

-Can I have it (Curtis)? Nooooo, an officer’d take from you at Ft Benson. This gun’s too good for an officer: “Sgt. Wilkes (Jay Flippen),” Winchester ‘73 (1950)

-Oklahoma, Oklahoma, Oklahoma, Oklahoma (banging pot)! “Rubrick (Steve Martin),” Dirty Rotten Scoundrels (1988)

-Tranella speaks two languages, Italian and Brooklyn: Narrator on “Private Tranella (Richard Benedict),” A Walk In the Sun (1945)

-Don’t be a jerk all your life, take a day off: “Vic Dakin (Burton),” Villain (1971)

-Ahh, youth is wasted on the wrong people!: T-shirted man on porch (‘Why don’t you kiss her?!’) (Dick Elliott), It’s a Wonderful Life (1946)

-Smack (on Geoffrey Lewis’ face)! Don’t ever point a gun at me! Understand?! Not even a twig (Eastwood)! Got it! You come from the hitters: “Goody (Geoffrey Lewis),” Thunderbolt and Lightfoot (1974)

-Why’d they move it (Bridges (old school house with the hidden loot)? History, history, damn it: “Thunderbolt (Clint Eastwood),” Thunderbolt and Lightfoot

-I don’t think of us as criminals, you know? I feel we accomplished something. A good job. I feel proud of myself, man. I feel like a hero: “Lightfoot (Jeff Bridges),” Thunderbolt and Lightfoot

popcorn-9m-wc-t-bresson-6-15-16

Steven Keys
Photo credit: Bonnie&Clyde, wc.cca, A.Koehne; M.Shearer, wc, 10.11.54, M.Feinstein; S.Tracy-E.Bartholomew, CC, 1937, MGM; J.Crawford, MGM, TLMC, 1937; M.Gandhi, wc, pre-1942; B.Davis, AllAboutEve, 1950; H.McDaniel, wc, 1939; R.Ryan-J.Leigh, MGM, wc, 1953; C.Grant-M.Loy, RKO, 3.28.45, wc; R.Steiger, wc, TUW, 1957; popcorn, wc, T.Bresson, 6.15.16
Posted: 2.16.17 @ 2:06pm EST; update 6.13; Copyright © 2017

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MLB16 Chin Music: Cubs Win Is Just More Cloudburst For Rainmaker Epstein

6 Nov

Those Sporting Gods are a funny bunch of deities. Not funny like a “clown,” oh no, but curious, like that monkey on PBS (“George”).

sportingmeetinggods-wc-1630-cv-poelenburgh-3mAt times they seem asleep at the wheel, having no interest whatsoever in the goings-on of sport, letting just about any Whosit on a hot-streak hoist the Title hardware (‘86 Mets, ‘06 Heat, ‘15 GSW, ’14 Seahawks), then, at other times, the Sporting Gods just can’t keep their all-guiding hands off of the controls.

It’s the latter practice that looks to’ve been in operation for major league baseball’s World Series 2016 that pitted two Title-starved opponents in the Cleveland Indians against the Chicago Cubs.

The Gods must’ve had themselves a good long laugh.

Not with the winning Bruins (4-3), the team most pre-season prognosticators pegged to take the title, but in affecting the crazy course by which the Cubbies finally navigated their way, once again (‘07-08), back to the champion’s podium.

As for the Indians, Mgr Terry Francona and Cleveland brass will have ’em back.

chancemcgraw-5-2-1911-gg-bain-loc-wc-66kEmphasis on the adverb ‘again’ as most people, even the raucous revelers on State Street, have no idea (interest) that there were times, like in the 1880s (Cap Anson, King “Hook-Slide” Kelly, John Clarkson) and then early 1900s (Chance, Evers, Tinker, Brown, Kling, Overall, Steinfeldt, Reulbach) when the name Chicago Cubs struck fear into the hearts of men, even the likes of Cobb, Wagner, McGinnity & McGraw.

First, the Gods put the Tribe out front (3-1), building hope for their frustrated fans who hadn‘t had a championship since Red River was in the theaters (“Yeeee-ha!” (‘48)), then they set the Cubs, who hadn’t even taken a pennant since that heart-wrenching year of 1945 (FDR – WW2), storming back to even it up at three, most of their wins coming on the road, no less, at Progressive Field.

And if that weren’t enough to trigger the PVCs, then the deciding game seven (7) goes extra innings (Zzzzz), has a rain-delay and had baseball writers pulling their hair out not knowing which title they were gonna’ post (’Cleveland, City of Champs!’ or ‘Cubs Win, Cubs Win, Cubs Win!’).

james-wc-4-27-8-k-allison-3-8mEven a kingly presence in the crowd (LeBron James) couldn’t turn the trick for the Tribe.

But if there are any fans in sportdom who can fully appreciate both the lows of losing the big match (Indians) and then the cathartic joy that comes with winning the Chalice of a Champion (Cavaliers), it would be those who reside in and around the Forest City, Ohio.

So after all their fun n’ games, why’d the Gods tab Chicago the winner?

If there’s one thing the Divinities will not tolerate, something they simply abhor, it is the haphazard stewardship of baseball records.

If you write about rounders often you will come to rely on the wealth of statistics made available on the web at baseball-reference.com. The same sort of repository exists for many of the major American merriments. When you cut through all the sabrmetric snooze (WAR, OPS, etc.), the site’s smorgasbord of stats is a tremendous baseball resource for which this user is grateful.

gold-medieval-ring-wc-sonofthesands-britain-146kBut when the boys who run the site brazenly decided in-Series to award championship rings to the Indians (appearing as a gold icon next to the relevant year in the “Postseason” section (all now removed)), as early as the close of game three (3) with Tribe up 2-1, the Sporting Gods decided on a winner: The Cubs. There’s that, and the fact that the Northsider’s dry-spell for a World Series winner (1908), whether based at West Side Grounds or Weeghman – Wrigley Field, had Cleveland’s beat by 40 years. Plenty parched.

— — —

He was near demigod status in his role shaping the Francona Red Sox teams that ended their own championship drought in 2004 and reigned again in 2007. But in doing the same for the parched pin-strippers on Chicago’s Northside (See Also; GM Jed Hoyer), Theo Nathaniel Epstein (b.12.29.73 (NY)) left behind the wunderkind tag and joined a select group of baseball executives (GM – PBO), builders who, when funded ($), create dream seasons and dynasties. It’s a membership that includes Branch Rickey (OH) and Ed Barrow (“born in a covered wagon in Springfield (Ill.)(Wikipedia)).” Big stuff.

inherit-tracy-wc-1960-ua-54kBut with progress comes a cost, a quid pro quo. You gain something, you give something up. For the Cubs and their followers that price may be the ‘lovable’ they’ve been serving up since 1945.

Spencer Tracy (“Henry Drummond”) spoke to this yin-yang thing in Stanley Kramer’s highly acclaimed Scopes Monkey Trial movie, Inherit the Wind (‘60):

Progress has never been a bargain. You have to pay for it.
Sometimes I think there’s a man who sits behind a counter and says, ‘All right, you can have a telephone but you lose privacy and the charm of distance.
Madam, you may vote but at a price. You lose the right to retreat behind the powder puff or your petticoat. And Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline.’”

The faithful, Cubs ownership in the Ricketts family and Manager Joe Maddon, both deserving of the Rainmaker tag themselves, the sports media, all have failed to consider what it will really mean to the Cozy World of Confine now that the Cubs have won their 3rd World Series championship.

epstein-wc-slingsby-9-8-10-688kThe red, white & blue Bruins have built so much out of “nothing” it became the most beloved brand in all of sports. Everybody likes the Cubs, even before 2016. The undying love they engender in their fans nationwide is admired on par with Yankees’ prowess in play.

Winning changes everything. Fenway fans in their 40s understand that. There’s a new expectation, standard in Bean Town and Chicago, too. Anything short of a World Series title gets an incomplete grade. Tension rises, especially amongst the fair-weather fan who jumped the bandwagon and has wherewithal of a wet peanut.

Finally breaking that championship drought (’04 (1918 v Cubs)) can be cathartic for those who still hold the pain from chances that got away (‘67, ‘75, ‘86). But it’s a different mood in Boston these days. Success is sweet but it can be a pretty girl with a fickle heart: Warm when in clover, cold when the chips are down.

And that’s half hyperbole.

The victory parade down Michigan Avenue in November, so thick with confetti The Fugitive could’ve eluded police for days, was a beautiful sight to behold.

chicago-mi-ave-wc-4-9-11-l-fuss-2-8mA man who knew a thing or two about progress was at the Allied controls when the Cubs were in spring training and about to embark on a season that would take them to what was to be their last NL pennant and fall classic prior to 2016 (1945). That man was U.S. President Franklin D. Roosevelt (1882 – April 12, 1945 (d. Warm Springs, GA)):

This is what 4-termer FDR, the standard by which all Presidents are measured, had to say about progress: “The test of our progress is not whether we add more to the abundance of those who have much (Yankees & Cardinals), but whether we provide enough for those who have too little (Royals (2015) and Cubs (2016)).”

Hooray for progress!

.....canned cornSteven Keys
Can o’ Corn
Photo credit: T.Epstein, wc.cca, 10.22.16, A.PardavilaIII; Sporting(MeetingGods), wc, 1630, CV.Poelenburgh; J.McGraw-F.Chance, wc, 5.2.1911, GG.Bain, LoC; L.James, wc, K.Allison, 4.27.8; gold-medieval-ring, wc, Britain, Sonofthesands; Inherit-the-wind, S.Tracy, UA, 1960; Epstein, wc, 9.8.10, S.Slingsby; MichiganAve., wc, Chicago, L.Fuss, 4.9.11, Canned-corn
Posted: 11.5.16 @ 9:57pm EST; Copyright © 2016

NFL16: Tom Brady’s Grounded, What About Your Quarterback?

6 Jul

“Brady, Brady, Brady!”

“To be or not to be, that is the question
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take (legal) arms against a sea of troubles.”
     Hamlet, Edward de Vere (Shake-a-Spear), 1590s

Barring an unexpected reversal in his pending court case (Deflategate), a turnaround that would be analogous in football to a Herm Edward’s game-winning scoop & score of a Csonka – Pisarcik fumble (11.19.78), Tom Brady’s 4 game suspension for NFL 2016-17 will be implemented.

.......Brady.wc.3.30.16.DeanAdams21.thmThe starry New England signal-caller will likely make his return in W5 to take the reins from 3rd-year backup QB Jimmy Garoppolo (EIU) in resumption of the starter’s role Tom’s carried out with expertise (172-51) since supplanting the capable Drew Beldsoe in 2001. That would mean Brady’s first foe would be the Browns in our nation’s newest city of champions (See; Cavs (Trump hopes it’s trending (RNC 7.18-21))), his on-field arrival marking the final command performance of NFL 2016’s opening act.

Until Tom takes to the turf it‘s just not the NFL, making one wonder why Roger Goodell and the disciplinary folk are so determined to see their punishment of Brady et al upheld? Answer: Standards, and already having so much loot ($) that giving your top star an extended off-season is a bearable cost if it bolsters appearance of the League‘s blind-justice policy.

With Peyton Manning having decided to hang up his cleats, with little objection from Denver brass whom I suspect showed the legendary QB that proverbial ‘thanks for the Super Bowl win but just retire already’ door, the sure-fire 1st ballot HOF’er foregoing one last shot at a full season and victory tour after one of the most memorable leadership displays on record, it leaves TB as the undisputed face of the League.

A fitting state of affairs given both well decorated AFC field generals are the two most recent to hoist the coveted Lombardi (SB 49 (SEA) & 50 (CAR)).

.......PatsHOF.wc.10.24.8.thm.LeoparmrFor the Pats the early schedule will be challenging (@ AZ, MIA, HOU & BUF) but with the W-L result being of only marginal consequence. Criminy, it’s the Patriots, the juggernaut that just keeps on juggering…or nauting.

The New England product that Bill Belichick, Brady, owner Bob Kraft and the rest of the Foxborough folk have built is so sound, self-sustaining and of such stature that even in an AFC East fast becoming one of the League’s best, a rough start (1-3?) can be diluted in the wealth of wins to follow.

And by all appearances Brady, though somewhat pressed by the legal wrangle, still looks to be fit as a fiddle and well grounded for the upcoming NFL season.

Not grounded like Dad & Mom might mete out penance for Junior in those days of youth when he may’ve strayed off the straight & narrow by engaging in a bit o’ tom-foolery and was daffy enough to get caught (Ding-dong ditch-it?).

Nor grounding by a spouse (Gisele Bündchen) with that emotional ball & chain when your much-in-demand hubby is, through sense of obligation, giving too much time to the celebrity gropers seeking to profit from his fame & fortune.

And no worries that Tom’s laidback head coach and matriculator mentor in Bill has decided to ground his QB’s proficient aerial show and revert to the Halas – Lombardi principle: Ground it out with the run attack. Not gonna’ happen.

......grounded.girl.repos.WA.Bouguereau.1865.Philbrook.wc.thmNo siree-Bob. Tom Brady is the good grounded.

Still in the dark? It’s a happening thing, right there with spirituality, awesomeness, pro-biotics, automotive gadgetry (See; Honda, etc.) and gluten-free munchables (Pretzels can be epic, but bread & pasta…Ughsville).

Making sure one of your jumper cables is grounded when giving a car-battery a boost o’ juice is sound, safe procedure, but it’s also becoming a common practice for more & more people seeking to put body & soul in electron harmony with the “spinning world” and its forever flowing invisible field of charged molecules.

Here’s a better description of grounding, a practice in wholeness and well-being that our pre-industrial age ancestors had been engaging in for thousands of years and many humanoids today are now re-discovering the benefits.

“When you are in direct contact with the ground (walking, sitting, or laying down on the earth’s surface) the earth’s electrons are conducted to your body, bringing it to the same electrical potential as the earth. Living in direct contact with the earth grounds your body, inducing favorable physiological and electro-physiological changes that promote optimum health (“The Ultimate Antioxidant” / Dr. Joseph Mercola / 11.4.12).”

.....Brady.8.28.09.K.Allison.wc.cca.thmbIs Tom Brady intentionally grounding, earth-hugging with the holistic crowd?

I’m no groupie nor groper so I couldn’t say for certain but even from afar it’s easy to see the ring-laden QB carries himself with such a confidence, dignity, discernable self-awareness on and off the playing field that if he’s not walking barefoot on his palatial estate to connect with earthy electrons he’s doing something akin to keep it all in balance.

Simply deciding to stay clear of any political convention is sign enough the man’s got both feet firmly planted on terra firma.

......NFL-symbol.wikiproject.6kbSteven Keys
NFL HunchLine
Photo Credit: grounded-girl, C.Giraud, 19c, wc.cca, Dorotheum; T.Brady, wc, 3.30.16, DeanAdams21; Pats-HOF, 10.24.8, Leoparmr, wc; grounded-girl, WA.Bouguereau, wc, 1865; Brady, 8.28.9, K.Allison, wc; NFL-wikiproject
Posted: 7.6.16 @ 1:17am EST; Copyright © 2016

MLB16 Chin Music: What If Cubs Do Win a World Series, Again?

19 Feb

These are different days in the land of bruins, “big shoulders” and manually-operated scoreboards.

If you’d been pulling a Rip Van Winkle and just awoke from your Washington Irving-like slumber you might not recognize the goings on at Wrigley Field.

.....CubsLogo.1914.Wjmummert.wc.thmOh, the renovations at the century old structure (1914), originally named Weeghman Park and home to the Federal League champion Whales, haven’t changed it a whole lot. It still retains that certain brick & steel-beam charm but with more lights, seats, eats for the adults and bells & whistles for the Xbox® set.

And they best be careful what they do with that playing surface. It’s where Cubs’ great Charlie Grimm (d. 1983) had his ashes spread (Wikipedia). Hallowed ground, indeed.

The new mood amongst the faithful isn’t so much more upbeat as Cubs fans have always been the glass-half full sort, as it is more…expectant, an air of confidence they‘ve not had at the ‘friendly confines’ for quite some time.

...........Epstein.9.8.10.wc.S.Slingsby.thmEven the ivy, what’s left, looks more hopeful, if a bit nervy.

The hirings of wunderkind executive Theo Epstein (2011 (5y)) and then prized manager Joe Maddon (2015) were the table-setters to a hoped-for celebratory feast (WS win), marking the first major investments by the Ricketts family who purchased controlling share of World Cubs in 2009.

Ricketts tugged tight on those purse strings in early going to get team’s financial house in order in wake of Tribune’s economic plight (a prior ownership that had on occasion, like Wrigleys, made serious investments in winning) and some hefty contracts weighing on the books. But they’ve loosened those strings a bit with mind’s eye for pennants and championship banners. At least that’s the notion.

Though off-season signings of Jason Heyward (.268 (RF)) and ringholders Ben Zobrist (.265 (2d)) and moundsmen John Lackey (165-127) showed the Cubs are in a mood for winning now, the cultivation & keeping of young, homegrown (Bryant) or trade-acquired talent (Rondon / Rizzo), as opposed to free agency, seems the tack the Cubs’ braintrust favors.

..........Maddon.wc.4.14.14.MD.K.Allison.thmConfidence wasn’t always such a rare commodity in Chicago’s National League exchange. No sir-ee, Bob.

The Cubs today are butt of the longest running joke on championship futility. But because subject-history has been trampled flat by current trend-setters (See; the Prez, etc.) in favor of math, science, more math (sabrmetrics), most folks have no idea about Chicago’s glory days of yore.

The name Chicago had struck fear into the hearts of foes in the 1880s (White Stockings) when Cap Anson, John Clarkson and King “Hook-Slide” Kelly were busting balls, then again in the early 20th when the greatest pitching staff ever assembled was mowing ‘em down at West Side Park (Grounds) while the fielding exploits of Steinfeldt to “Tinker to Evers to Chance” were driving New Yorkers to despair and alternatively inspiring some to pen poems (F.P. Adams) in honor of the brawny & brainy Bruins.

That’s saying something in an age when players, managers, umpires, bowler-wearing fans, even kid vendors were tough as nails. ‘Put ‘em up, panty-waist!’

.........Chance.wc.1909.ATC.LoC.thmThough their last World Series win (1908), 2d of the 1st back-to-back dynasty in modern history, was over a century ago, collecting pennants is no small achievement. From 1929 to 1945 the Cubs collected Senior circuit banners like nobody‘s business, appearing in 5 and taking Tigers to 7 in their last.

It’s that near 40-year period from 1946 to just before the magical season of 1984 as Ryno, Rick, Jim Frey, Don Zimmer, Harry Caray & Co. finally broke the post-season drought, when the seed for a weeping willow of woe was sown & cultivated by a succession of sorries.

Since that bittersweet ‘84 when Cubs were still ‘day-timers only’ and Ueberroth made the money-call to gave their playoff opponents the Padres (3-2) home-field even as Chicago had the top mark, the Northsiders have made the PS six times, including the NLCS in 2003 (FL 4-3). Not exactly a source for Midwest bragging rights but a far cry from the futility the bear Cubs had suffered for what seemed an eternity. It’s been moving in the right direction, anyway.

........Bryant.4.27.15.MBD.Chicago.thm.wcBut hold off on stocking that celebratory champagne just yet. These Cubs have a few burs in their fur that need attention.

Last season’s team BA (.244 – 13th NL (KC .269 (2d AL)) and strikeout totals (1518 – 15 (KC 973 – 1st)) are unacceptable lines for a championship caliber club. And no off-season acquisitions look likely to change that worrisome state.

Encouraging marks were the OB% (.321 – 5 (KC .322 – 7)) and favorable run production (689 – 6th (KC 724 – 6)) with Rizzo (94), Bryant (87) and Fowler (102), all mainstays who look to have a nose for the plate when they manage to get on base, not made easier with that woeful whiff total.

Some stern instruction in fundamentals seems in order for Chicago’s bat-control and the glove work, another necessity if Chicago seeks a place among MLB elite. Cubs sat in bottom bracket on team fielding (.982 – 12 (KC .985 – 3)) and errors (111 – 12th (KC 88 – 6)). The signing of 3-time gold glover Heyward will help.

.......Arrieta.wc.DSCN0048.thm..6.24.14As for the moundsmen, Bruins have their ace in re-signed 2015 Cy Young winner Jake Arrieta (R) while both Jon Lester (L (10)) and newly acquired John Lackey (R (13)) will provide innings and a wealth of craft.

Jon had a disappointing first year in the Senior Circuit, posting 11-12, in opposite of king’s ransom he’d negotiated. Lackey pitched alike his first half-season with the Cards (3-3 / 4.30 (‘14)) and picked-it-up in 2015 (13-10 / 2.77). All three stars gave mixed performances in their post-season outings last October.

Jake’s 2-1 record is misleading. The Missouri native pitched a gem in WC win vs PIT but averaged a hefty 6.50 ERA (1-1) and 4 runs in limited outings vs STL [W] and NYM [L]. Jon, known for his playoff prowess from Beantown days (‘07-13) pitched pedestrian in his two starts (0-2 / 4.50) and served up 3 dingers in 13i.

Fourth starter Jason Hamel, also in his 2d decade, went 10-7 (3.74), faltered in the PS too (2g-7h-7r (3hr)) but figures back in the rotation as Kyle Hendricks (3.95) and Adam Warren (3.29 (NYY-Castro)) may duel for the fifth spot.

.......Wrigley.wc.Jblesage.5.28.08.thmCubs’ closer is Venezuela-born Héctor Rondón (30sv / 1.67). Indians signee at 16 (‘04), Cubs took Rondón in “2012 Rule 5 Draft.” He came with an injury-history, a TJS in 2010 and elbow bang the next year (Wikipedia) but has been tooling along fine for Chicago since 2014. His showing in last season’s PS was mixed as well, shutting the door on STL (NLDS) in G2 & 4 after a shaky outing in G3 and only one hit surrendered in two, non-lead closer stints vs Mets (NLCS (0-4)).

Returning for mid-relief are Justin Grimm, Pedro Strop, Clayton Richard & Travis Wood who in 2015 provided the bulk of innings for the Northsiders (100ip). “Sweet Trav (Overboard ’87)” was a 2013 All-Star but gave up 11 “tatters (G.Scott)” last year while Grimm posted a nifty 1.99e in just under 50i of work.

But a message to Wrigley regulars: Careful what you wish, you just might get it.

......Inherit.Tracy.wc.1960.UA.thmWith progress comes a cost, a quid pro quo of sorts. When you gain something you also lose something. For the Cubs and their followers, if they do hoist the World Series trophy, that price may be the ‘lovable’ they’ve been serving up since 1945. Spencer Tracy (“Henry Drummond”) spoke to this yin-yang thing in Stanley Kramer’s highly acclaimed Scopes Monkey Trial movie, Inherit the Wind (‘60):

Progress has never been a bargain. You have to pay for it.
Sometimes I think there’s a man who sits behind a counter and says, ‘All right, you can have a telephone but you lose privacy and the charm of distance.
Madam, you may vote but at a price. You lose the right to retreat behind the powder puff or your petticoat. And Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline.’”

The faithful, the Ricketts, sports media, all may’ve failed to give enough thought to exactly what it will mean to the Cozy World of Confine if the Cubs actually do get to and then win a World Series, this year or any for that matter.

............whatIf.maryeoriginals.wc.5.4.14.thmRed, white & blue Bruins have built so much out of “nothing” it’s become the “cool(est) hand” in all of sport. Everybody likes the Cubs. The undying love they engender in their fans nationwide is admired on par with Yankees’ prowess. And the nobody’s, who cares what they think? What do titles get you anyway? A run-o-the-mill championship package from Sports Illustrated and higher ticket prices, that’s what.

Cubbies are cool to a ♫ tune ♫ of a $1.8 billion valuation (Forbes). Near chicken-feed to what your friendly neighborhood pharmaceutical draws in a fiscal year but not too shabby for so-called ‘losers,’ eh?

If “Cubs win” in the WS they become just like all the other champions today: Fairly forgettable. Pop Quiz: Who won the Series in 2014? Yeah, “winning isn’t everything, it’s the only thing.” Balderdash.

Fenway faithful understand of what I write, how winning changes things.

Finally breaking the drought (2004 (1918 (v Cubs))) to take a World Series title again can be cathartic for those who still hold the pain from the good chances that got away (‘67, ‘75, ‘86).

....Chicago.MI.Ave.wc.4.9.11.L.Fuss.thmBut it’s a different mood in Boston these days. Success is sweet but it can be a pretty girl with a fickle heart once the winning becomes an expectant: Warm in clover, cold when the chips are down.

And that’s hyperbole. A ticker-tape parade on Michigan Ave. in October, so thick with confetti “The Fugitive” could elude the coppers for days would be a beautiful sight. Even the lordly Cardinals’ fans, those who love the game, might nod in grudging appreciation, as long as it‘s not the Cubs who again bump ‘em from the PS (See; 2015 DS) on their way to the Series. Ouch.

Ready to rain on those parade preparations are other baseball clubs with their own aspirations to glory.

For starters, there’s the reigning champ Royals, newer version of Miami’s “No-name” NFL bunch back in the 70s. Joe got the loot but Ned Yost got the hoot (ring). These guys just might want a dynasty for the KC-side of Missouri.

Then there’s the Giants, winners of three Series the past six seasons, staggered every even-numbered year which means they’re due in 2016.

....FDR.wc.cca.E.Goldensky.1933.thumbAdd in the usual contenders like the Cardinals, Yankees, Dodgers, Angels, new-comers in the Pirates, Astros, Blue Jays and last year’s NL pennant takers the Mets and there are Seven Ways from Sundown (‘60) that could keep the Cubs frustrated.

Progress, like time, marches on. If Cubs don’t win the World Series sometime soon it’s just proof the Sporting Gods are stark, raving lunatics, or they simply know better. That’s why they’re deities.

A man who knew a thing or two about progress was at the Allied controls when the spring Cubs were about to embark on a season that’d take them to what was to be their last fall classic (‘45), Franklin Delano Roosevelt (January 30, 1882 – April 12, 1945 (Warm Springs, GA)):

“The test of our progress is not whether we add more to the abundance of those who have much (Yankees & Cardinals), but whether we provide enough for those who have too little (Royals (2015) and Cubs (?)).”

Hooray for progress! Play ball!

...canned cornSteven Keys
Can o’ Corn
Photo credit: Cubs, wc-cca, 1957-78, Sportslogo; CubsLogo, wc, Wjmummert, 1914; Epstein, wc, 9.8.10, S.Slingsby; Maddon, 4.14.14, wc, K.Allison, MD; Chance, wc, ATC, 1909, LoC; Bryant, 4.27.15, MBD, wc, Chicago; Arrieta, wc, DSCN0048, 6.24.14, Wrigley, wc, Jblesage, 5.28.08; InherittheWind, Tracy, UA, 1960, wc; WhatIf, wc, maryoriginals, 5.4.14; Chicago-street-sign-MI-CHI-Ave, wc, 4.9.11, L.Fuss; FDR-girl, wc, 02-41, top college; FDR, wc, E.Goldensky, 1933; Canned-corn.
Posted: 2.19.16 @ 12:10p, edit (title) 10.22.16 @ 2:34p ET; Copyright © 2016
Stat / bio sources: Baseball-reference, Rotoworld & Wikipedia

NFL15 Cherry Picks W8: Psychology of Winning

31 Oct

In a time when sport stats suddenly went from being a straight-forward standard measure of performance to becoming an endless avalanche of esoteric acronyms that’re the be all and end all for those of the sabrmetric sect, the less tangible measure of emotion in athletics has been given short-shrift by many who vest heavily in analyzing the games.

But just as numbers never tell the whole story, or sometimes speak downright “lies (See; British super PM Ben Disraeli and Mark Twain),” neither does physical skill by itself deserve all the spoils for victory won on the battlefields of tumultuous merriment.

...batman&robin.wc.1966.dadofJGKlein.thmIf you think the Patriots and Packers win lots o’ football games simply because they possess top QBs, innovative staffs and run deep on player talent…well, you‘d get a good mark, I’ll give you that, but overlooking the importance of mental muscle and emotional fortitude in winning would get you big demerits.

Impassioned play, or more broadly stated, the psychology of winning, plays a critical role in determining outcomes of most games. More importantly, it’s the on-going maintenance of that winning attitude and unselfish play that will sustain those who ultimately take possession of the vaunted VLT (Vince Lombardi Trophy).

Just as the noted Russian-American film producer-writer Val Lewton (See; TCM) cultivated the psychology of scary (Cat People (’42), I Walked With a Zombie (’43), The Body Snatcher (’45), The Leopard Man (‘43)), so too do the savvy sideliner (coach) and signal-caller utilize the mind-game mode to it’s fullest.

Belichick and McCarthy are calm & calculating in front of the camera, probably away from it as well, but no doubt they pepper their pronouncements with constant reminders to players and staffers alike on the mental keys that will play big in each week’s upcoming contest.

New England Patriots

The aura of a champion will buoy all spirits but likely requires no small amount of emotional effort to maintain the high standard of play expected by both their fandom and co-workers as well. Nobody wants to be the guy who killed the mojo.

...pumpkin.cat.10.28.12.wc.Silar.thm

Green Bay Packers

Just as winning helps Tom Brady put Deflategate in the back of his mind, so too do Ws help the green & yellow push last January’s playoff collapse versus Seattle (22-28) to the back recesses of their brains in the methodical progression forward to the same goal of returning to the Super Bowl in 2016.

Baltimore Ravens, Detroit Lions, KC Chiefs, SD Chargers, Dallas Cowboys

Winning breeds winning, so too does losing, especially when unexpected. These five franchises had high hopes for ’15 but find themselves on cusp of catastrophe. Breaking the cycle of loss requires what may be the toughest task of all, that being to plant seeds of hope where there have been precious little to germinate.

Cincinnati Bengals

Most teams anticipate playoffs with a certain glee, but when you’re 0-6 the past decade it’s a different mood: tempered & tight. But like GB, these striped tigers see the past as yesterday’s news and 2016 as a new opportunity. Gulp.

Miami Dolphins, NY Jets, Oakland Raiders, Minnesota Vikings, STL Rams

For these teams the mentality of winning is a fairly new feeling, being forged one game at a time, one step forward, one back and so on and so forth.

A Better Way

On Wednesday NFL announced it had fined Steelers’ defenseman William Gay $6000 for willfully violating NFL/PA policy that essentially requires a dress code. Gay violated it by wearing a pair of purple cleated shoes, the color to promote the fight against domestic violence and then honor his deceased mother. Bill was a child when his mom was shot to death by the hand of his stepfather who afterwards took his own life.

...Gay.W.wc.E.Owens.thm.2007

Bill’s reported to be active in the anti-DV effort in Pittsburgh metro and made statement on his actions that rings sincere and logical: “I’m not trying to be bad teammate (Steelers-friendly yellow on the shoes (Vikings)) or embarrass the owners, there’s so much pink, on shoes, on gloves, for breast cancer awareness, I think domestic violence awareness is just as important (“William Gay’s Purple” / NFL.com / A.Kinkhabwala / 10.30).

And he’s absolutely right. It’s the 10,000 lbs pink elephant in the room. The anti-breast cancer campaign in which the NFL participates is fighting the good fight, ostensibly (8%), but over-tailored to just one cause, of which there are many.

He’s also absolutely wrong. There’s a better way to bring awareness to important issues apart from rebelling against dress-code, rules that you, through union, signed onto. Such small power-plays, becoming more frequent, make news but are ephemeral and open a Pandora’s Box to less honorable expressions ($).

Using his celebrity bully-pulpit to connect with press and public is just one way William and his brethren in ball can make his noble effort truly impactful.

“Brady, Brady, Brady, Almighty (S. Tracy)!”

As most NFL teams hit the midway marker at weekend‘s close, the eventual recipient of the League’s prestigious MVP award (Feb?) start to take serious shape in the minds of voters.

...NFL-symbol.wikiproject.6kbBarring an injury or big fall-off in performance, once that frontrunner gets hold in the psyche, it’s unlikely he’ll be extricated therefrom by any other person short of the most stupendous play down the stretch-run.

To write that it’s a two (Rodgers) or three (Dalton) or four (Newton) horse race would be disingenuous to Mr. Brady. Tom’s out front by a good two lengths, seems to be gaining speed and it’s his hardware to win or lose.

Aaron may close the gap if he shines at Sports Authority Field at Mile High on Sunday night (These corporate stadium names are a major drag), while Andy and Cam are the dark horses but unlikely to catch the two thoroughbreds leading the pack. Their best chance: A gopher jumps the track.

One thing that might derail Brady’s near perfect run would be if Sports Illustrated and their cover kids decide to grace their magazine with Tom’s likeness sometime in the next two months. Not hard to imagine.

I put no stock in kooky claims of curse (That billy-goat thing in Chicago is an insult to the “city of the big shoulders”) but SI’s recent run of cover crash has me wondering whether I’ve been too close-minded. TimeInc had the Cardinals as the greatest ever, then Blue Jays best thing since sliced bread and this week it’s the slow-startin’ Mets and “Amazin’ (Dan) Murph.”

But like sage Berra said, “It ain’t over till it’s over.” And Mets just took G3.

..cherries.on.cloth.thumbCherry Picks Week 8

DET (1-6) @ KC (2-5) (Ldn): 11.1 Fox 9:30: Lions win
Arizona (5-2) @ Cleveland (2-5): Fox 1:00: Cards win
49ers (2-5) @ St. Louis (3-3): Fox 1:00: SF wins
Giants (4-3) @ NO (3-4): Fox 1:00: Saints win
Minnesota Vikings (4-2) @ Chicago (2-4): Fox 1:00: Bears win
San Diego Chargers (2-5) @ Baltimore (1-6): CBS 1:00: Ravens win
Cincinnati (6-0) @ Pittsburgh (4-3): CBS 1:00 (GOTW2): Steelers win
New York Jets (4-2) @ Oakland Raiders (3-3): CBS 4:05: Jets win
Seattle (3-4) @ Dallas Cowboys (2-4): Fox 4:25: Seahawks win
Green Bay (6-0) @ Denver (6-0): 8:30 NBC (GOTW): Broncos win
Indianapolis (3-4) @ Carolina Panthers (6-0): 11.2 ESPN 8:30: Colts win

Record: 32 – 32

Steven Keys
NFL HunchLine
Photo Credits: WalterWhite.pumpkin, wc.cca, 2013, A.Barhan; Batman-Robin-Halloween-kids, wc, 1966, father-of-JGKlein; pumpkin-cat, Silar, 10.28.12, wc; W.Gay, wc, 2007, E.Owens; NFL-symbol, Wikiproject; Cherries-on-cloth, wc, picdrome, 2007.
Posted: 10.31.15 @ 2:22pm EST; Copyright © 2015

NFL15: Why Goodell Goofed in Patriots Penalty

12 May

Update: Shortly before this write was set to post on Monday, the NFL announced that Tom Brady would be suspended four games and the Patriots penalized $1M with the loss of two draft picks for their role in what the League believes was a rules violative effort to deflate game balls below acceptable standard.

* * * * * * * *

I wouldn’t exactly call it karmic backlash but these past twelve months have been one, hellacious rollercoaster ride for NFL’s standard bearer franchise, the New England Patriots.

The 2014 season began under cloud of apprehension over the arrest, indictment and impending criminal trial of former tight-end Aaron Hernandez, eventually found guilty last April by the State of Massachusetts of 1° murder. Downward.

..........Brady.8.28.09.K.Allison.wc.cca.thmb

In February the Patriots took a tremendous Super Bowl win, their fourth under coach Bill Belichick, over Junior America’s favorite team, the defending champion Seattle Seahawks (28-24). Upward.

Now, the Foxborough franchise is beset, their starry signal-caller Tom Brady in particular, by one more of what’s becoming a long, continuous line of storylines (Sterling-Stiviano, Rice, Sam, etc.) that seem to suck-in the entire sports cycle like a black-hole and has come to be known as Deflategate, harkening back to that original ‘gate’ scandal of somewhat greater significance in Nixon’s Watergate (‘73). But don’t try selling that to the trolls.

Which makes this writer wonder why NBA’s Cleveland club got off easy with their in-game video (v CHI) that made light of domestic violence. Maybe the Tosh.0 effect: degradation for laughs. As long as the offensive display was “not intended” to offend, as Cavs’ brass responded, I guess it wasn’t protest-worthy, I guess.

The power of royalty (James) and near-monopoly (Nike®).

Since NFL began its inquiry into whether or not Patriots & staffers Jim McNally and John Jastremski (‘Frick & Frack‘) feloniously fiddled with 2015’s AFCC Wilsons (IND) by deflating psi without official OK, wrapped-up last week on Ted Wells issuance of his report (“more probable than not” that Patriots worked a “deliberate effort to circumvent (NFL) rules” and Brady was likely aware), the saga has come to a halt, waiting on Commissioner Roger Goodell’s ruling.

..........football.extreme.wc.'10.HordeFTL.Wilson.thmb

As popular today as a black-hole storyline is the new national tendency to kick a winner when they’re down. Maybe that’s not so new, but clearly a habit taken up with a passion by millennials and their kin. Course, Fox News has been awful popular since the 90s, so there’s that. Suffice to write, it‘s a lonely walk “On The Sunny Side of the Street (McHugh & Fields)” in 2015.

It helps explain why the last prior inquiry (Mueller) that looked into NFL handling of the Rice matter and largely cleared Goodell of wrong-doing was met with a fair skepticism, while the arguably over-reach conclusions of the Wells report have been widely adopted.

The common thread: Whether it’s jumping anti-Redskins bandwagon, screaming for Roger’s resignation (Rice-gate) or trashing Tom as “The Public Enemy (31),” those who seek the League’s downfall will keep trolling for topics.

The minutemen are clearly winners, NFL’s biggest since America’s former Team, the Cowboys, were ropin’ Lombardis (mid-90s), and certainly down. So if you polled sport news followers (not fans, necessarily), most believe Brady “circumvented” and should then be punished by the Commissioner with fine and/or suspension.

That attitude makes the ‘How’ question (What sort of penalty should the All-Pro quarterback be handed?), the query of choice amongst non-footballers.

But given that, 1) There’s no good evidence a suspected “circumvention” was a long-standing ploy in Foxborough; 2) the Wilson’s slightly deflated state had any measurable bearing on the outcome of contests (See: AFCC (Colts) & SB49 (SEA)), unlike the harm that was Bountygate (See; Favre & Warner ‘10-PS); and, 3) that if the expected penalty, whatever form it takes, is assessed on New England, it will, as some speculate, be source of legal challenge and most “likely” voided on appeal (See; Vilma ‘13), the better question is this: Should Patriots and Brady be punished at all?

..........Goodell.8.30.12.wc.thmb.SSG.T.Wade.USMA

The answer: No.

While I trust Attorney Wells & staff acted in good faith, they appear to’ve over-broadly interpreted their duty as one that, if at all possible (‘reasonably’ omitted), should come to a conclusion as if in a civil court property-divvy.

But in Deflategate there’s no property dispute, no necessity for a determination.

More probable than not” or a preponderance of evidence (51%) is a standard used in civil trials across the land everyday when property & rights are put at issue and a decision must be rendered to settle a dispute. Loosely stated, the court says to the trier of fact, ‘You don’t have to be certain but we need a decision, so decide, one way or the other.’

Never written into law or formally instructed, the 51 percentile is a generally accepted understanding of the application of the standard by triers of fact.

Simply stated, in civil cases where a decision must be made up or down, one side or another, the ‘preponderance / more probable’ standard provides an easier deciding point from where the subject property can be divvied without the greater mental, emotional investment required in meeting the clear & convincing (75%) and criminal BRD (90% +/-) benchmarks.

But a preponderance being equal to a likelihood, the conclusion that Wells and media reports so haphazardly toss around in claim of Brady knowledge of a supposed deflating scheme, well, that’s pure gobbledygook. Since when does 2% (51 – 49 = 2) create likelihood of anything?

.........Belichick.8.28.09.wc.cca.K.Allison.thumb

If Wells investigators didn’t have evidence to make firm findings, which appears the case, and questions on intent to tamper / deflate are left unanswered, so be it.

The Wells Report feels like conjectured conclusion where a result was so strongly sought that it would not be denied regardless of its “basis.” It suggests wrong-doing by Patriots even as it’s probabilities go largely unsupported by direct evidence.

It reads like an educated hunch that clumsily leaves one of the League’s standard-bearer franchises open to petty, endless criticism and mockery even as the findings fall far short of being definitive or even likelihoods on numerous issues.

Inconclusive’ should’ve been the drafter’s opening rather than setting out front the legal standard MPTN as motif unfairly creating public impression of a likelihood of misdeeds.

Maybe fearing public backlash, claim of bias, Wells played it safe and tried to have it both ways in stating there was probably a circumvention by New England, but we lack the “basis” to definitively state it with any degree of certainty. Ugh.

It would’ve served Wells, fandom, NFL and the general public much better had the attorney followed that physician’s creed (Inman): First, do no harm.

One fact that is well established apart from the Wells Report is that enhancing football-grip is only permitted in conjunction with NFL/PA approved (sticky) glove contracts.

The Report is, however, an official hunch so it’s impact per likely League punishment will be outweighed by its blemish on Patriots’ legacy that’ll resonate almost entirely with their and the NFL’s rivals.

.........Goodell.wc.7.10.08.Sgt.B.DelVecchio.Afgh.thmb

Goodell can, firstly, suppress that erroneous motif, digest the report, consult, ponder and then, barring any clear evidence showing Brady or other investigatees failed to cooperate on material matters germane to the discovery truth, give Tom and the Patriots a punishment pass.

But Roger’s got a problem.

The Rice matter and the misdirected, somewhat self-serving public outrcry that arose post-TMZ video drop, has emotionally neutered the Commissioner, taken from him the verve & vigor that had been defining his leadership and left a man who’s now always looking over shoulder and gauging winds, not unlike politicos who live by the polls.

Goodell must find his inner Landis (Kenesaw Mountain), his greater Giamatti (Bart), and lead with the same wisdom and courage he showed in Bountygate.

My own hunch is that Patriots engaged in some extra ball management outside strict adherence to generally accepted practice and/or rules (J&M texts appear not much more than worthless drivel). Not so much because Belichick & Company like to bend the rules but because the Patriots Way believes in testing the limits, an ambitious approach that, in other venues, can be highly praised.

But whether or not Tom likes to bleed a little psi from his pigskins, investigators aught not engage in official hunchery. They have a higher standard to meet. As I can be wrong in my suspicions, so too could they even in an official capacity.

........Brady.wc.cca.mongomez93.thmb

Absent firm findings on claims of non-cooperation (one (TB) could refuse to turn over phone records for reasons that have nada to do with hiding supposedly damning information (privacy & principle)) and tampering that go beyond mere face & bearing, the facts that New England dispatched Indy with ease in the fully-inflated 2nd half of the AFCC that triggered the inquiry, bested defending champ Seattle (SB49) and that ball-control was clearly not well regulated by NFL (unattended official‘s locker-room), all go a long way in ranking this possible rule violation in same class with a player who adds extra uniform padding but below NED (noise enhancing devilry): very low.

Given how Roger’s lost his hutzpah since Rice-gate firestorm charred NFL landscape, a blind obedience to the tenuous tenor of the Wellsian Hunch would not surprise with a Brady suspension to follow (2g). If so, as mentioned above, Brady suing the League in response with NFLPA support, no matter what penalty may be levied ($1 or 1 day), is real possibility. He’d seem to have the meritorious grounds to sustain such an action.

If you’re a fan of due process (fund’l fairness), NFL and capable of subjugating a prejudice, be it team / QB rivalry or NFL policy positions, you’ll support a cautious read of Wells and a ‘no punishment’ ruling by Goodell on Deflategate.

As to the loosey-goosey nature of ball management by NFL officials who‘ve gone mostly unscathed in Deflategate reporting, that state goes to the issue of clarity. In a legal venue, claiming unawares of the law works no defense, but an unclear law as written or in enforcement can give an accused a pass to walk out the door.

.......Tracy.March.screensht.Inherit.60.wc.thmb

But best of all, Goodell taking a punishment pass would go a long way to putting this boring little mystery novella called Deflategate up on the shelf for good, and bad.

“Brady, Brady, Brady, Almighty!” The man from Milwaukee may’ve been a prophet (Inherit the Wind (‘60)).

.......NFL.wikiproject.6kb

Steven Keys

NFL HunchLine

Photo Credits: T.Brady, wc.cca, 9.14.14, A.Campbell; T.Brady, wc, 8.28.09, K.Allison; football.Wilson, extreme, wc, 2010, HordeFTL; R.Goodell, wc, 8.30.12, SSG.T.Wade, USMA; B.Belichick, 8.28.09, wc, K.Allison; R.Goodell, wc, 7.10.08, Sgt.B.DelVecchio, Afgah; T.Brady, wc, mongomez93; S.Tracy, F.March, screenshot, Inherit, 1960, wc; NFL-wikiproject.
Posted: 5.11.15 @ 9:39pm EST