Tag Archives: Ben-Hur

Yore Movie Swells: ‘We..Rob..Banks’ and the Bonniest Lines In Classic Film Dialogue

16 Feb

Even omitting the TCM index and Shakespeare (Ed de Vere) flicks, there are more indelible lines in the remaining 100+ years of movie dialogue than there are lights to carpet a starry night sky. That includes the silent era, their captions and speaking parts in most every language under the Sun.

One clever quip certainly won’t carry a film but where there’s one golden nugget there’s sure to be more. With a top script, a director can make what would normally constitute just so many sharp looking wait-staff and personal trainers (actors) sound like gosh-darn poets.

Great dialogue can be as lengthy as Orson Welles “cuckoo clock” pitch (The Third Man) or as brief as Elizabeth Taylor’s modish “wow” as she peeked in on lonely billiard boy Montgomery Clift (A Place in the Sun).

It can be sung (The Umbrellas of Cherbourg), whistled (“Steve” in To Have and Have Not), set to motion (Davis’ coat drape on Ratloff in All About Eve), read in the wink of an eye (Poitier to cell-mate Wilson In the Heat of the Night), a raise of the eye-brows (Shearer on Lermontov news in The Red Shoes), a nod of the head (Moore’s closing answer to Huston in Out of the Past (47)), a hand gesture (Ferrer’s puppets in Lili) and even delivered in rodent-speak (Perri). Meaning that nearly every action in a film, a good one that is, makes a statement.

shearer-wc-m-feinstein-10-11-54-307k

Some of the quotes listed herein are célébrité (“We’re gonna need a bigger boat (Jaws)”), by itself no warrant for inclusion, others as obscure as this writer’s product. Some are funny, some sentimental, others pointed, viciously vague, suggestive in how far we’ve come or instructive in how far we have to go.

While most movie lines are best appreciated in their context, not subtext (oy vey), like “Tibbs” expert answer In the Heat of the Night (“I believe old Harv is a southpaw, now ain’t he, Shagbag (trooper)? What if he is, what’s that make him (Shagbag)? Innocent (Tibbs)”), most listed herein can stand on their own merit.

With a few exceptions, nearly all of these quotes are in English. That, even as its greatest proponent in the Bard (Shake-a-Spear) is rarely referenced, for if he (or Annie Hall) were, there‘d be no end to this write. What this list is is a smattering of the myriad of verbal gems that’ve been glittering on the silver screen for over a century and harvested in the heart by those viewers who mine for rarity.

This is a listing of memorable movie lines, a smorgasbord of flavorful offerings to sample for the film connoisseur and casual customer alike, not a ranking of the believed greatest dialogue ever delivered.

Selecting your favorites is fine and one can easily separate toppers from routine deliveries. But to claim an ability, a means to rank one line (or title (Citizen Kane (AFI #1 (ugh))) above others because you’ve consulted a cabal of credentialed critics is the highest order of arrogance and a clear sign of a film-lover fake.

So if you like classic flicks (< 2000), glory days for dialogue, and you prefer story over computerized imagery or the contemporary cocktail of gratuitous violence + sex, drink in some of these great lines, all natural flavors, gluten-free, no sugar-added and maybe one of ’em will “make (your) day.” Lights, camera, action!

— — —

-We…rob…banks: Bonnie Parker (Faye Dunaway), Bonnie and Clyde (1967)

-Oh, I don’t know…everybody makes book on something: “Stoker Thompson (Robert Ryan),” The Set-Up (1949)

-Like Steve says, winning isn’t everything, it’s the only thing: “Carol Williams (Sherry Jackson),” Trouble Along the Way (1953)

-Sun only shines half the day, Tom (Wayne), the other half is night: “Fen (Coleen Gray),” Red River (1948)

-There are two things better than a good gun, a Swiss watch and a woman from anywhere: “Cherry (John Ireland),” Red River (1948)

-Almost anything coming out of the mouth of Edna May Oliver (1883-1942)

-How would you define ballet, Lady Neston? Well, one might call it the poetry of motion perhaps, or…(Browne). One might, but for me it is a great deal more. For me it is a religion: “Boris Lermontov (Anton Walbrook),” The Red Shoes (1948)

-Why do you want to dance (“Lermontov“)? Why do you want to live?: “Victoria Page (Moira Shearer),” The Red Shoes

-Because dear miss…what was your name (Walbrook)? Victoria Page (Shearer). Yes, Miss Page, because when I come to a party I don’t expect to sit for an audition (Anton). Yes, you are quite right: “Vicky (Shearer),” The Red Shoes

-You cannot alter human nature (Massine). No? I think you can do even better, you can ignore it!: “Lermontov (Walbrook),” The Red Shoes

-You cannot have it both ways (to “Ljubov” & “Page”). A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never!: “Boris Lermontov (Walbrook),” The Red Shoes

-I want you to dance tonite with the same ecstasy I’ve seen in you only once before. At the Mercury Theatre (Vicky). Yes, in the Mercury Theater in London, on a wet, Saturday afternoon: “Lermontov (Walbrook) (Boris now in love)”

-What the devil have you (Craster) got to be worried about? It’s a fine score, a magnificent score! I only wish I had…go on! Former lead composer and conductor “Livingston ‘Livy’ Montague (Esmond Knight),” The Red Shoes

-Vicky, Vicky, dance to whatever tempo you like. I’ll follow you! New composer and conductor “Julian Craster (Marius Goring),” The Red Shoes

-Would he (“Craster”) give it up if you asked him (Walbrook)? I don’t know (Shearer). You do know! I wouldn’t ask him. Then why is he asking you?! Does he KNOW what he’s asking?: “Lermontov (Walbrook),” The Red Shoes (the crux)

-Nobody else has ever danced the Red Shoes since you left. Nobody else ever shall. Put on the red shoes, Vicky (now entranced), and dance for us again!: “Lermontov (Walbrook),” The Red Shoes

-If I could be anyone, a child who could be brave from the beginning: “Roslyn (Marilyn Monroe),” The Misfits (1961)

-It all blows-up in your face sometimes, doesn’t it?: “Joyce Harwood (Veronica Lake);” The Blue Dahlia (1946)

-I got a new suit (Brian Donlevy). It looks like the suit got you: “The Boss (Akim Tamiroff),” The Great McGinty (1940 (loud suit))

tracy-bartholomew-mgm-1937

-You know this fish, he don’t go to school, he don’t know French but he pretty smart, too: “Manuel (Spencer Tracy),” Captains Courageous (1937)

-You (Freddie Bartholomew) show is a tonic to yoself: “Doc” the cook (Sam McDaniel),” Captains Courageous

-He (Douglas) will hug you to pieces then take those pieces home with him: “Manuel (Tracy),” Captains Courageous

-Fiddle dee-dee. War, war, war, this war talk’s spoiling the fun at every party this spring! “Scarlett O’Hara (Vivian Leigh),” Gone With the Wind (1939)

-Whistle (Gable). Gasp (Leigh). Has the war started?: “Rhett Butler (Clark Gable) (meets “Scarlett” for the first time),” Gone With the Wind

-All we’ve got is cotton, slaves and…arrogance: “Butler,” Gone With the Wind

-Frankly my dear, I don’t give a damn: “Butler (Gable) (says goodbye to his “Scarlett“),” Gone With the Wind

-But tomorrow…is another day!: “Scarlett (Leigh),” Gone With the Wind

-A tribe’s greatness is figured by how mighty its enemies be: “Del Gue (Stefan Gierasch),” Jeremiah Johnson (1972)

-Is it possible that something is holy to the celebrated agnostic (March)? Yes, the individual human mind in a child’s power to master a multiplication table, there is more sanctity than in all your shouted ‘amens,’ ‘holy holies’ and ‘hosannas!’ An idea is a greater monument than a cathedral and the advance of knowledge is a greater miracle than all the sticks turned to snakes or the parting of the waters: “Col. Henry Drummond (Spencer Tracy),” Inherit the Wind (1960).

-Progress has never been a bargain, you have to pay for it. Sometimes I think there’s a man who sits behind a counter and says, ‘all right, you can have a telephone but you lose privacy and the charm of distance. Madam, you may vote, but at a price. You lose the right to retreat behind the powder puff or your petticoat. Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline’: “Col. Henry Drummond (Tracy)

-All you have to do is knock on any door and say, ‘If you let me in I’ll live the way you want me to live and I’ll think the way you want me to think and all the blinds will go up and all the doors will open and you’ll never be lonely ever again. If that‘s the case I‘ll change the plea, this is if you know the law‘s right and you’re wrong: “Col Drummond (Tracy),” Inherit the Wind

-Mr. Brady, why do you deny the one faculty of man that raises him above the other creatures of the earth, the power of his brain to reason? What other merit have we? The elephant is larger, the horse swifter and stronger, the butterfly is far more beautiful, the mosquito is more prolific, even the simple sponge is more durable: “Col. Henry Drummond (Tracy),” Inherit the Wind

-The bible is a book. It’s a good book but it is not the only book: “Col. Henry Drummond (Tracy),” Inherit the Wind

-Youth can be so pure, what do you know of good or evil? What do you know of the sum of a man’s life? He betrayed me (Anderson)! You betrayed yourself! You see my husband as a saint, and so he must be right in everything he says and does, and then you see him as a devil and everything he does must be wrong. Well, my husband’s neither a saint nor a devil, he’s just a human being and he makes mistakes. How can you defend him? it’s not he I’m defending but the 40 years I’ve lived with this man and watched him carry the burdens of people like you. If he’s been wrong at least he stood for something. What do you stand for? Do you believe in Bertram Cates (York)? I believe in my husband. What do you believe in?: “Mrs. Sara Brady (Florence Eldridge),” Inherit the Wind

-What touches you (Kelly), what warms you? Every man has a dream. What do you dream about? What, what do you need? You don’t need anything, do you, people, love, an idea just to cling to? You poor slob. You’re all alone. When you go to your grave, there won’t be anybody to pull the grass up over your head, nobody to mourn you, nobody to give a damn. You’re all alone (Tracy). You’re wrong, Henry. You’ll be there. You’re the type. Who else would defend my right to be lonely?: “E.K. Hornbeck (Gene Kelly),” Inherit the Wind

-Nobody lives forever: “Nick (John Garfield),” Nobody Live Forever (1946)

-Spill it punk or I’ll splash your brains out!: “Mickey,” 99 River Street (1953)

-Who are you (Wood (POY)))? I’m next: “Tyrone ‘Mr. Clean’ Miller (Laurence Fishburne),” Apocalypse Now (1979)

-You can lick me if you want and I’ll still love you: “Betsy Bartlett McMasters (Claudette Colbert),” Boom Town (1940) (context)

-You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace and what did that produce, the cuckoo clock: “Harry Lime (Orson Welles),” The Third Man (1949)

-Course, a situation like that (black market) does tend to amateurs but…but, well, they (floaters) can’t stay the course: Carol Reed (narrator), The Third Man

-Be sensible, Martins (Howard). I don’t have a sensible name, Calloway: “Holly Martins (Joseph Cotton), The Third Man

-Dancing means everything to me!: “Judy (O’Hara),” Dance, Girl, Dance (1940)

-Pardon, how do I wire congratulations to the Pacific Ocean?: “Matt Libby (Lionel Stander),” A Star is Born (1937) (context)

-In Italian there is a no word for this ‘crooner (“de Vinci (Adolphe Menjou)“). That’s okay, Professor, there’s no word in English for spaghetti: “Dick Purcell (Dick Powell),” Broadway Gondolier (1935)

crawford-tlmc-37k-mgm-1937

-I was married twice before – once at 16, once at 21. One was a crybaby and the other was a caveman. Between the two of them I said goodbye to girlhood: “Helen Wright (Joan Crawford),” Humoresque (1946)

-Here’s to love: “Helen Wright (Joan Crawford),” Humoresque

-The earth is my body, my head is in the stars!: “Maude Chardin (Ruth Gordon),” Harold and Maude (1971)

-Oh, I don’t drink (“Harold (Bud Cort)”). It’s okay, it’s organic: “Maude (Gordon),” Harold and Maude

-It’s best not to be too moral, you cheat yourself out of too much life: “Maude (Gordon),” Harold and Maude

-I made you breakfast…scrambie eggs: “Chip (Jim Carrey),” The Cable Guy

-You mean Heather is a prostitute (“Steve”)? Of course she is, you think a girl like that’d hang out with us if she wasn’t? “Chip (Carrey),” The Cable Guy (1996)

-I always had a hard time realizing how important we are: “George Hasting (Russell Hicks),“ The Big Store (1941)

-Course, I’ll have to notify the police (Gerstle). This is a case for homicide. Homicide (O‘Brien)!? “I don’t think you fully understand, Bigelow, you’ve been murdered: “Dr. MacDonald (Frank Gerstle),” D.O.A (1950)

-I knew there was something wrong with that guy. Never met a gin-drinker yet that you could trust: “Parnell (Arthur O’Connell),” Anatomy of a Murder (1959)

-It’s up to you: Jim Garrison (Kevin Costner)), JFK (1991) (context)

-It was a violation of the most basic protection codes and the best indication of a massive plot (to kill JFK) in Dallas: “Mister X (Donald Sutherland),” JFK (1990)

-I’ll show you how a Prussian officer can fight (Schell). And I’ll show you how the Iron Crosses grow: “Sgt. Rolf Steiner (James Coburn),” Cross of Iron (1977)

-Why don’t you buzz off on your broomstick!: “Maxine (Ava Gardner),” The Night of the Iguana (1964)

-Her eyes said ‘NO’ in big, blue capital letters: “Miss Hannah Jelkes (Deborah Kerr),” The Night of the Iguana

-All women, whether they want to face it or not, want to see a man in a tied-up situation. They spend their entire lives trying to get a man in a tied-up situation. Their lives are fulfilled when they an get a man or as many men as they can into a tied-up situation!: “Shannon (Richard Burton), The Night of the Iguana

-I respect anyone who’s had to fight and howl for their decency (Kerr). What do you respect in me, Miss Thin, Standing-Up, female Buddha (Burton)!? Far more than I respect those ones who had theirs handed out to them at birth and never afterwards snatched away from them by unbearable torments: “Jelkes (Deborah Kerr), The Night of the Iguana

-And what is my problem, Miss Jeltz (Burton)? The oldest one in the world, the need to believe in someone or something, almost anyone or anything: “Jelkes (Kerr),” The Night of the Iguana

-I don’t regard a home as a place, a building, bricks, wood, stone. I think of a home a something two people have between them in which each can nest, rest, live in, emotionally speaking: “Jelkes (Kerr),” The Night of the Iguana

-I’m not a bird, Mr. Shannon. I’m a human being and when one of that unique species builds a nest in the heart of another, the questions of permanence or propagation are not the first or even the last things to be considered: “Jelkes (Kerr),” The Night of the Iguana

-There are worse things that chastity, Mr. Shannon (Kerr). Yes, lunacy and death: “Shannon (Burton),” The Night of the Iguana

-Nothing human disgusts me, Mr. Shannon, unless it is unkind or violent: “Jelkes (Kerr),” The Night of the Iguana

-How did you, how did you beat this blue devil of yours (Burton)? I showed him I could endure him and make him respect my endurance: Endurance is something spooks and blue devils respect. And they respect all the tricks panicky people use to outsmart and outlast the panic (Kerr). Like taking deep breaths (Burton)? Or rum cocoas: “Miss Jelkes (Kerr),” The Night of the Iguana

-Why don’t we go down to the beach (Gardner)? I can a…I can get down hill, Maxine, but I’m not too sure about getting back up (Burton). I’ll get you back up, Baby. I’ll always get you back up: “Maxine (Gardner),” The Night of the Iguana

-He wishes: “Charlotte Vale (Bette Davis”), Now, Voyager (1942)

-If we both try hard to protect that little strip of territory that is ours: “Charlotte (Bette Davis),” Now, Voyager

-Oh Jerry, don’t let’s ask for the moon. We have the stars: “Charlotte (Bette Davis),” Now, Voyager (context)

-(On plane, “Jack” shows his altered FBI badge now with his picture to 9 (?) boy seated aside): It looks fine…to me: Scott McAfee, Midnight Run (1987)

-You two are dumbest bounty hunters in history…you couldn’t deliver a bottle of milk!: “Jon Mardukas (Charles Grodin),” Midnight Run

-Did you ever have sex with an animal, Jack? Remember those chickens around the Indian Reservation, there were some good-looking chickens around there, Jack, you know, between us (Grodin). Yeah, there were a couple there I mighta’ taken a shot at (laughter): “Jack Walsh (Robert De Niro),” Midnight Run

-I don’t think she’s coming back (Grodin). Yeah, I don’t either, I don’t either (De Niro). Sometimes you just have to let go, just get yourself a new watch: “Jon (Grodin),” Midnight Run (context)

-What do you think you are, for Christ-sake, crazy or something? We’ll you’re not, no crazier than the average asshole out walking the street: R.P. McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest (1975)

-Koufax’ curveball is snapping off like a fucking fire-cracker: “McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest

-Somebody give me a wiener before I die!: “Randall P. McMurphy (Jack Nicholson),” One Flew Over the Cuckoo’s Nest

-Mr. Scanlon (Fletcher)? I want to know why the dorm is locked in the daytime and the weekends: “Scanlon (Delos Smith),” One Flew Over the Cuckoo’s Nest

-A man like him (“Jim McKay“)…is very rare: “Ramon (Alfonso Bedoya),” The Big Country (1958) (context)

-All I can say McKay is you take a hell of a long time to say goodbye: “Steve Leach (Charlton Heston),” The Big Country (moonlight fistfight)

-Greenhorns have to get knocked around a little: “Jim McKay (Gregory Peck),” The Big Country (1958)

-Obviously Mr. McKay is man who is afraid of only one thing, that people may suspect him of showing off: “Julie Maragon (Jean Simmons),” The Big Country

-You want me, Pop (Connors)? Before you was born, I did: “Rufus Hannassey (Burl Ives),” The Big Country

-I’m not responsible for what people think, only for what I am: “Jim McKay (Gregory Peck),” The Big Country

-How do you like Blanco Canyon, huh (Ramón)? It’s a hell of place for sailor: “Jim McKay (Gregory Peck),” The Big Country

-Some people you can’t insult at all, others get upset over the littlest thing: “Pat Terrell (Carroll Baker),” The Big Country

-An amazingly good actor met an amazingly receptive audience: Napoleon Bonaparte (Claude Rains), Hearts Divided (1936)

-Almost anything that came out of the mouth of Ned Sparks (1883-1957)

-And how is your cousin, Edmond de Boeldieu, who was Military Attaché in Berlin (von Stronheim)? He is well and happy. He lost an arm and married a very rich wife (Fresnay). A fine career: “Captain von Rauffenstein (Erich von Stronheim),” The Grand Illusion (1937)

-I ain’t spittin’ on my whole life: “Monte (Lee Marvin),” Monte Walsh (1970 (turning down job as a Western dude))

-I want to make love to you until you scream (Morris). Can’t scream!: “Jerry Martin (Norma Shearer),” The Divorcee (1930)

-She’s a grifter, just like her brother. Probably had grifter parents and grifter grandparents and someday they’re each gonna’ spawn little grifter kids: “Tom (Gabriel Byrne),” Miller’s Crossing (1990)

-Nobody knows anybody, not that well: “Tom (Byrne),” Miller’s Crossing

-Old man’s still an artist with the Thompson: “Terry (L.Flaherty),” Miller’s

-If you can’t trust a fix, what can you trust?: “Caspar (J.Polito),” Miller’s

-You used to be big (Holden). I am big, it’s the pictures that got small: “Norma Desmond (Gloria Swanson),” Sunset Boulevard (1950)

-There were children in those days (Revolution) who lived off human flesh: “Lt. Gen. Yevgraf Andreyevich Zhivago (Alec Guinness),” Doctor Zhivago (1965)

-Don’t you want to believe it (Guinness)? Not if it isn’t true!: “Tonya Komarova (Rita Tushingham),” Doctor Zhivago

-A nameless number (Christie) on a list that was later mislaid: Lt. Gen. Yevgraf Andreyevich Zhivago (Alec Guinness),” Doctor Zhivago

-You only had one glass (Cowan)? But you kept filling it up: “Jeffrey Baird (Edward Everett Horton),” Shall We Dance (1937)

gandhi-wc-pre1942-155k

-I want to change their minds, not kill them for having the same weaknesses we all possess: Mohandas Gandhi (Ben Kingsley), Gandhi (1982)

-It’s the story of my life, I always get the fuzzy end of the lollipop: “Sugar (Marilyn Monroe), Some Like It Hot (1959)

-You don’t’ understand Osgood, I’m a man (Lemmon)! We’ll, nobody’s perfect: “Osgood Fielding III (Joe E. Brown),” Some Like It Hot

-I’m getting a cramp in the most peculiar place: “Francesca Cunningham (Ann Todd),” The Seventh Veil (1945)

-Life is short, art long, decision difficult and experiment perilous: “Bederaux (Paul Lukas),” Experiment Perilous (1944)

-So help me, he (Jordan Benedict IV) looks like a little wet-back: “Bick Benedict (Rock Hudson),” Giant (1956)

-Never trust a nigger (Hackman). He could’ve been white (Scheider). Never trust anyone!: “Popeye Doyle (Gene Hackman),” The French Connection (1971)

-Take your last look at free-side, kid: Inmate (Gail Bonney?), Caged (1950)

-For that forty bucks I heisted, I certainly got myself an education: “Marie Allen (Eleanor Parker),” Caged (1950)

-Can’t beat aces: “Nick (Humphrey Bogart),” The Wagons Roll at Night (1941)

-La-dee-da, la-dee-da: “Annie Hall (Diane Keaton),” Annie Hall (1977)

-The only word for this is transplendent: “Pam (Shelley Duvall),” Annie Hall

-You know how to whistle, don’t you Steve? You just put your lips together and, blow: “Slim (Lauren Bacall),” To Have and Have Not (1944)

-He didn’t invent it (Bogart). Invent what (Moran)? Being afraid: “Harry ‘Steve’ Morgan (Humphrey Bogart),” To Have and Have Not

-What manner of man is it I’ve married (O‘Hara)!? A better one than I think you know, Mary Kate: “Hugh Forbes (Charles Fitzsimmons),“ The Quiet Man (1952)

-There’ll be no bolts or locks between us Mary Kate, except those in your little mercenary heart: “Sean Thornton (John Wayne),” The Quiet Man

-As only an American would think of emerald green! “Elizabeth Playfair (Eileen Crowe),” The Quiet Man (Sean’s new cottage)

-By the way, don’t underestimate Danaher, he’s got a tremendous right and jaw of granite: “Rev. Cyril Playfair (Arthur Shields),” The Quiet Man (persuading)

-Will you join me in a glass of…no…you’ll be in training now, of course: “Playfair (Shields),” The Quiet Man (converted)

-No, no, you just said you loved her. There’s some difference between lovin’ and likin.’ When I married Jennie’s mother, I-I didn’t love her, I liked her, I liked her alot. I liked Martha for at least three years after we were married and then one day it just dawned on me I loved her. I still do…still do. You see, Sam, when you love a woman without likin’ her, the night can be long and cold, and contempt comes up with the sun: “Charlie Anderson (Jim Stewart),” Shenandoah (1965)

-(Test bout) I won’t hurt you…I don’t think I’ll even hit you: “Harry Watson (Rhys Williams),” Gentleman Jim (1942 (test)

-Being a good loser is hard but being a good winner is even harder: John L. Sullivan (Ward Bond, handing first belt dated 7.4.1887 to new champion, James J. Corbett), Gentleman Jim (1942)

-Right or wrong, the brand sticks: “Shane (Alan Ladd),” Shane (1953)

-Shane, there’s too many!: “Joey (Brandon deWilde),” Shane (1953)

-♫ Some enchanted evening, you will see a strangeeeeeer ♫: “Nobody Falfa (Harrison Ford),” American Graffiti (1973)

-Rome wudn’t burnt in a day: “Joe (Bo Hopkins),” American Graffiti (1973)

-Why don’t you kiss my sister’s black cat’s ass: “Clarence ‘Crazy’ Lee (Bo Hopkins),” The Wild Bunch (1968)

-Wunden mein herz mit einer monotonen mattigkeit (Wounds my heart with a monotonous languor): German officer, The Longest Day (1962)

-You see, Mr. Gittes (Jack Nicholson), most people never have to face the fact that at the right time and the right place they’re capable of anything: “Noah Cross (John Huston),” Chinatown (1974).

-Course I’m respectable. I’m old. Politicians, ugly buildings and whores all get respectable if they last long enough: “Noah Cross (Huston), Chinatown (1974)

-I hope you don’t mind. I believe they should be served with the head (“Cross (John Huston)”). Fine, just as long as you don’t serve chicken that way: “Jake Gittes (Jack Nicholson),” Chinatown

-Almost anything that came out of the mouth of Thelma Ritter (1902-69)

-That must be your friend over there. They didn’t leave much of him (Evans). Must have taken out his heart, eh?: “Bubba (Geoff Parry),” Mad Max (1979)

-When it’s time to shoot, shoot, don’t talk: “Tuco (Eli Wallach),” The Good, the Bad and the Ugly (1966)

-There are two kinds of people in this world, Tuco, those with loaded guns and those who dig. You dig: “Blondie (Eastwood),” The Good, the Bad & the Ugly

-You’re (Eastwood) the son of a 1000 fathers, all of them bastards, too!: “Tuco (Wallach),” The Good, the Bad and the Ugly

-How’s that calf ever gonna’ dry off if she keeps licking her?: “Arnold (Butch Jenkins),” Our Vines Have Tender Grapes (1945)

-I’m five (Jenkins). Oh!: “Viola Johnson (Frances Gifford),” Our Vines Have Tender Grapes (1945, most adorable ‘Oh’ in movie history)

-You’re capable of such beautiful dreams and horrible nightmares: Vegan as dad of “Ellie Arroway (David Morse),” Contact (1997)

-In the few hours we had together we loved a lifetime’s worth: “Sarah Connor (Linda Hamilton),” The Terminator (1984)

-I’ll be back: “T-800 Model 101 cybernetic android (Arnold Schwarzenegger),” Terminator 2: Judgment Day (1991 (in friendship v, 1984 bad guy))

-There is no fate but what we make: the younger “John Connor (Ed Furlong),” Terminator 2: Judgment Day

-Phoebe, I call myself Phoebe (Bates)! And so you should: “Addison DeWitt (George Sanders),” All About Eve (1950) (sarcasm)

-It’s time the piano learned it didn’t write the concerto!: “Lloyd Richards (Hugh Marlowe),” All About Eve

davis-allabouteve-1950-wc

-Fasten your seatbelts, it’s going to be a bumpy nite!: “Margo Channing (Bette Davis),” All About Eve

-Some folks say things never die, they just go on livin’ in a different way: “Will (Dan) (George Montgomery),” Gun Duel In Durango (1957)

-♫ Farewell and adieu to you fair Spanish ladies, farewell and adieu to you ladies of Spain ♫: “Quint (Robert Shaw), Jaws (1975)

-Here lies the body of Mary Lee, died at the age of a hundred and three, for 15 yrs she kept her virginity, not a bad record in this vicinity: “Quint (Shaw), Jaws

-Know the thing about a shark he’s got…lifeless eyes, black eyes like a doll’s eyes. When he comes at ya,‘ doesn’t seem to be livin,’ until he bites ya,’ and those black eyes roll over white and then…aw then you hear that terrible high pitched screamin,’ the ocean turns red in spite of all the poundin’ and hollerin’ and they all come in and they…rip ya’ to pieces: “Quint (Shaw), Jaws

-I used to be afraid of the water (“Brody”). I can’t imagine why: “Hooper,” Jaws

-Do you think this was all the work of little Don Segretti? “Deep Throat (Hal Holbrook),” All The President’s Men (1976)

-I screwed up (revealing LBJ plan to replace FBI’s J. Edgar Hoover), but I wasn’t wrong: Bradlee (Jason Robards), All the President’s Men

-I have a wife, family, dog and a cat!: Clawson voice, All The President’s Men

-You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath, rest up, 15 minutes. Then get your asses back in gear. We’re under a lot of pressure, you know, and you put us there. Nothing’s riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys fuck up again, I’m going to get mad: Ben Bradlee (Jason Robards), All the President’s Men

-Death ends a life, but it doesn’t end the relationship which struggles on in the survivors mind towards some resolution which it may never find: “Gene Garrison (Gene Hackman),” I Never Sang to My Father (1970)

-For over a thousand years Roman conquerors returning from the wars enjoyed the honor of a tumultuous parade. In the procession came trumpeters, musicians and strange animals from conquered territories, together with carts laden with treasure and captured armaments. The conquerors rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children robed in white stood with him in the chariot or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering a warning that all glory is fleeting: General George S. Patton (George C. Scott), Patton (1970)

-I have alot of faults, Brad, but ingratitude isn’t one of ‘em. I owe you alot. Hell, I know I’m a prima donna. I admit it. What I can’t stand about Monty is, he won’t admit it: General Patton (Scott), Patton

-Who said anything about Palermo (Gen.Patton)? I can read a map! General Omar Bradley (Karl Malden), Patton

-What son of bitch (Bradley) is in charge of this operation (G.I.)!? I don’t know but they aughta’ hang him: Omar Bradley (Malden), Patton

-Gen. Alexander says you are not to take Palermo (staffer). Ask him if he wants me to give it back: George Patton (Scott), Patton

-You’re right, Dick, the world grew up. Hell of a shame…god how I hate the 20th century: George Patton (Scott), Patton

-You (Guinness)? Youuuuuuu: “Commander Shears (William Holden),” The Bridge On the River Kwai (1957)

-Go Bears!: Hooker #2 (Melissa Peterman), Fargo (1996) (context)

-Thanks a bunch!: “Chief Marge Gunderson (Frances McDormand),” Fargo

-Being crazy about a woman (Burnstyn) like her was always the right thing to do: “Sam the Lion (Ben Johnson),” The Last Picture Show (1971)

-Her and her husband was…young and miserable with one another like so many young married folks are: “Sam (Johnson),” The Last Picture Show

-Sonny, your food’s gettin’ cold: “Sam (Ben),” The Last Picture Show (mercy)

-We play the game, fate controls the cards: “Grandpere (A.Hale),” Algiers (38)

-Who ever heard of starting a war in December!: “Violet Price (Spring Byington),” The Enchanted Cottage (1945)

-Get up, Spartacus, you Thracian dog! Roman legion (?), Spartacus (1960)

-You might even be intelligent..dangerous for a slave: “Marcellus,” Spartacus

-Most Romans love her (the City) as their mother but Crassus (Olivier) dreams of marrying the old girl: “Gracchus (Charles Laughton),” Spartacus

-It would take a great woman to get Crassus to fall out of love with himself: “Gracchus (Laughton), Spartacus

-When a free man dies he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That’s why he’s not afraid of it: Spartacus (Kirk Douglas),” Spartacus

-You’ve already been made a fool (Dall), let’s not add the trappings of a clown: Crassus (Laurence Olivier), Spartacus

-I am Spartacus!: “Antoninus et al (Tony Curtis et al),” Spartacus

-Let us drink to a new world of gods and monsters!: “Dr. Pretorius (Ernest Thesiger),” Bride of Frankenstein (1935)

-Almost anything that came out of the mouth of Hattie McDaniel (1895-52)

mcdaniel-wc-45k-1939

-It was a glorious time. The wise guys were all over the place. It was before Appalachia: “Henry Hill (Ray Liotta), Good Fellas

-Now go home and get your fuckin’ shine-box (to “Tommy”)!: “Billy Batts (Frank Vincent),” Good Fellas (1990)

-I’m funny how, I mean funny like I’m a clown, I amuse you, I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how, how am I funny?: “Tommy (Joe Pesci),” Good Fellas

-If there is any doubt, there is no doubt: “Sam (Robert De Niro),” Ronin (1998)

-What we have here is…a failure…to communicate: “Captain (Strother Martin),” Cool Hand Luke (1967)

-Stay down, your beat!: “Dragline (G.Kennedy),” Cool Hand Luke (empathy)

-There’s gonna’ be a whole lotta’ world shaking going on, Luke. We’ll send ya’ a postcard: “Dragline (Kennedy),” Cool Hand Luke

-Sometimes nothin’ can be a real cool hand: “Luke (Newman),” Cool Hand Luke

-What, are you calling me a liar (Dragline)? No, just that you have a common & likable tendency towards exaggeration: “Society (J. Cannon),” Cool Hand Luke

-Nobody can eat 50 eggs: “Society (J.D. Cannon),” Cool Hand Luke (stubborn)

-♫ As he started to go I started to know how it feels when the universe reels ♫: “Esther Smith (Judy Garland),” Meet Me In St. Louis (1944)

-♫ Soooo, have yourself a merry little Christ..mas…nooooooooooooooow ♫: “Esther (Garland),” Meet Me in St. Louis

-You shouldn’t kiss a girl when you’re wearing that gun, leaves a bruise: “Helen (Velma) (Claire Trevor),” Murder My Sweet (1944)

-Hey, you done good, buddy boy (Smith). Thanks, Daddy-Oh!: “Anybody’s (Susan Oakes),“ West Side Story (1961)

-Huh?: ”Del Griffith (John Candy),” Planes, Trains & Automobiles (1987) (his surprise after plowing into a bad motel and just before burn-rubber getaway)

-We have about as good a chance of playing pick-up-sticks with our butt-cracks as we do getting a flight out of here tonite: “Del Griffith (John Candy),” Planes, Trains and Automobiles (1987)

-Love is not a big enough word (for my wife): “Del Griffith (John Candy),” Planes, Trains and Automobiles

-Daddy! “Marti Page (O. Burnette),” Planes, Trains and Automobiles (home)

-Those aren’t pillows! “Neal (Steve Martin),” Planes, Trains and Automobiles

-You don’t need to be crazy to do this but it doesn’t hurt: “Buck Kennedy (Buck Jones) (roping routine),“ Hollywood Round-Up (1935 (context))

-So shines a good deed in a weary world (de Vere): “Willy Wonka (Gene Wilder),” Willy Wonka & the Chocolate Factory (1971)

-I aughta’ take this pencil and draw a circle around you: “Billie (Judy Holliday),” Born Yesterday (1950)

-I’ve never been insured in my life. I don’t believe in it. There’s no risk: “Lewis Medlock (Burt Reynolds).” Deliverance (1972)

-Sometimes you have to lose yourself before you can find anything: “Lewis Medlock (Burt Reynolds),” Deliverance

-This corn is special, isn’t it?: “Bobby Trippe (Ned Beatty),” Deliverance (to break the mood (“Ed”) at the dinner table)

-Why do you wanta’ go messin’ with that river (Seamon Glass)? Because it’s there!: “Lewis (Reynolds),“ Deliverance

-Almost anything that came out of the mouth of Frank Morgan (1890-49)

-Well, we’re back (gasp) in the car again (Mazzello). Well, at least you’re out of the tree: “Dr. Alan Grant (Sam Neill),” Jurassic Park (1993)

-They remember: “Robert Muldoon (Bob Peck),” Jurassic Park

-What are you rebelling against, Johnny ((Maley)? What do ya’ got?: “Johnny (Marlon Brando),” The Wild One (1953)

-I’m gonna’ go down there (pier) and get my rights: “Terry Malloy (Marlon Brando),” On the Waterfront (1956)

-I coulda’ been contender. I coulda’ been somebody, instead of a bum, which is what I am: “Terry (Brando),” On the Waterfront

-Then shut your mouth…before your guts run out: “Crunch (Frank Mazzola),“ Rebel Without a Cause (1955)

-And what about you (Wood)? Are you always at ringside?: “Jim ‘Jamie’ Stark (James Dean),” Rebel Without a Cause

-Welcome to the wonderful world of pussy, Meadows: “Signalman 1st Class ‘Badass’ Budusky (Jack Nicholson),“ The Last Detail (1973)

-Madam, please!: “Andrew Larkin (Van Johnson),” In the Good Old Summertime (1949, to repel anymore wind-aided brush-ups from “Veronica”)

-What am I, a criminal, a murder (Granger)? You might be if you keep driving through town at 85 miles per hour: “Cindy (Jane Powell), Small Town Girl (53)

-You want a player who won’t fight back? I want a ball-player who’s got the guts to not fight back: Rickey (Minor Watson), The Jackie Robinson Story (1950)

-30,000 (“Baptista (Kaszner)” offer to marry his daughter)! Fatheeeeeer!: “Petruchio (Howard Keel),” Kiss Me Kate (53) (deal struck)

-Well!? I wont to be alone: “Grusinskaya (Greta Garbo),” Grand Hotel (1932)

-Grand Hotel, always the same, people come, people go, nothing ever happens: “Dr. Otternschlag (Lewis Stone), Grand Hotel

ryan-leight-wc-31k-mgm-1953

-Dyin,’ that’s easy, choosin’ a way to live, that’s the hard part: “Ben Vandergroat (Robert Ryan),” The Naked Spur (1953)

-How perfectly delightful it is to be sure.” Robert Crumb, Crumb (1994)

-Oh no, it wasn’t the airplanes. It was beauty killed the beast: “Carl Denham (Robert Armstrong),” King Kong (1933)

-Fortune’s ally to the brave: “Zeus (Laurence Olivier),” Clash of the Titans (81)

-What was his business (cop)? He used to be a big-shot: “Panama Smith (Gladys George),” The Roaring Twenties (1939)

-They aughta’ put you in mass production: “Fred (Dana Andrews),” The Best Years of Our Lives (1946) (to Theresa Wright)

-It’s funny, the things we love best are either illegal, immoral or make us fat: “Terry McKay (Irene Dunne),” Love Affair (1939)

-Who’s this (#2 on phone)? It’s me..it’s you..it’s us (#1)! Hold on a second (#2). Great, now I can’t even talk to myself: “’Steve (Keaton),’” Multiplicity (96)

-Sad state of affairs when a man has to indulge his vices by proxy: “General Sternwood (C. Waldron),” The Big Sleep

-You’re the only one I’ve met who didn’t claim to know everything in the whole world: “Collister (Beeson Carroll),” Bound for Glory (1976)

-He’s (workin’ folk) afraid to smile ‘cause somebody’s gonna’ swipe his teeth out of his mouth: Woodrow Wilson Guthrie (David Carradine), Bound for Glory

-She knows! Anne Sullivan (Anne Bancroft), The Miracle Worker (1962 (With Anne’s help, blind – deaf girl Helen Keller has an epiphany)

-I’m not gonna’ live by their rules, anymore!: “Phil Connor (Bill Murray),” Groundhog Day (1993 (driving car on train-tracks))

-Sextus, you once said ‘how’ to fight an idea…with another idea: “Messala (Stephen Boyd),” Ben Hur (1959)

-Bravely stated: “Sheik Ilderim (Hugh Griffith),” Ben-Hur (1959 (sarcasm)

-The cheaper the crook (Cook) the gaudier the patter: “Sam Spade (Humphrey Bogart),” The Maltese Falcon

-Why shouldn’t you (guess) if you’ve nothing to conceal (D.A. (J.Hamilton))? Everybody has something to conceal: “Spade (Bogart),” The Maltese Falcon

-You have always, I must say, a smooth explanation ready (Lorre). What do you want me to do, learn to stutter?: “Sam (Bogart),” The Maltese Falcon

-You are a liar (Bogart). I am. I’ve always been a liar (Astor). Well don’t, don’t brag about it. Was there any truth at all in that yarn? Some. Not very much: “Brigid O’Shaughnessy (Mary Astor),” The Maltese Falcon

-Suppose I wouldn’t tell you anything at all. What would you do, something wild and unpredictable (Astor)? Maybe: “Sam (Bogart),” The Maltese Falcon

-What is it (Ward Bond)? The a…stuff that dreams are made of: “Sam Spade (Bogart),” The Maltese Falcon

-I know where all the nukes are and I know the codes. You would be amazed, alot of shopping malls…DON’T repeat that!: “Megan (McCarthy),” Bridesmaids (’11)

-Temptation resisted is the truest measure of character: “Louis Dega (Dustin Hoffman),” Papillion (1973)

-I know, I know, feed ‘em, fly ‘em, then forget ‘em: “Ace Boreman (William Gargan),” Women in the Wind (1939)

-Is there a Northwest passage (Hussey)? Who knows. It’s always a man’s dream to find a short route to his heart’s desire: “Langdon Towne (Robert Young),” Northwest Passage (1940)

-Do you wanta’ play with us? Okay. Say ‘ello to my l’il friend!: “Tony Montana (Al Pacino),” Scarface (1983) (then, rat-a-tat-tat)

-I’m gonna’ make him (John Marley (“Director Jack Woltz”)) an offer he can’t refuse: “Vito Corleone (Marlon Brando),” The Godfather (1972)

–Ohhhh! It damn hurts (Fowler snuffing a match)! Certainly it hurts (O‘Toole). Well what’s the trick then? The trick, William Potter is not minding that it hurts: T.E. Lawrence (Peter O‘Toole), Lawrence of Arabia (1962)

-Aqaba! T.E. Lawrence (O’Toole), Lawrence of Arabia (it begins)

-Nothing is written: T.E. Lawrence (O‘Toole), Lawrence of Arabia

-He (Lawrence) was a scholar, a poet and a mighty warrior. He was also the most shameless exhibitionist since Barnum & Bailey: “Jackson Bentley (Arthur Kennedy),” Lawrence of Arabia

-But the Krell forgot one thing: Monsters, John (Neilson), monsters from the Id: “Lt. “Doc” Ostrow (Warren Stevens),” Forbidden Planet (1956)

-It is through error that man tries and rises. It is through tragedy he learns. All the roads of learning begin in darkness and go out into the light…Hippocrates of Cos: The Body Snatcher (epilogue) (1945)

-J’adore le passé. C’est beaucoup plus pacifique que le présent (I adore the past. It’s so much more peaceful than the present): “Meneur de Jeu (“Game Master”) (Anton Walbrook),” La Ronde (1950)

-♫ Gone again, skip to my Lou, gone again, skip to my Lou, gone again, skip to my Lou, skip to my Lou my Darling ♫: “Charlie (K. Curtis),” The Searchers (56)

-I too believe that everyone should have a chance at a breath-taking piece of folly, once in his life: “Mrs. Brown (Ann Revere),” National Velvet (1945)

-What’s the meaning of goodness if there isn’t a little badness to overcome?: “Mrs. Brown (Ann Revere), National Velvet

-So many currents in such a little puddle: “Mr. Brown (Crisp),” National Velvet

-That’ll be a dispute to the end of time, Mr. Brown, whether it’s better to do the right thing for the wrong reason or the wrong thing for the right reason: “Mrs. Brown (Ann Revere),” National Velvet

-Who’s been in my box (Velvet)? Me (Donald). ‘I (Edwina correcting).’ You, too? “Donald Brown (Jackie Jenkins), National Velvet

-I’ll have a dubonnet with a twist (in the old Russian Tea Room (NYC)): “Michael Dorsey / Dorothy Michaels (Dustin Hoffman),” Tootsie (1982)

-I need a $1000 (Hoffman). For what (Pollock)!? For what! For what!: “Michael (Dorothy) (Hoffman),” Tootsie

-Time for courage: “Sydney Carton (Ronald Colman),” A Tale of Two Cities (1935) (pre-guillotine, comforts young “seamstress (Isabel Jewells)”)

-Makes the crown jewels in the Tower of London look like costume jewelry: “Peachy Carnehan (Peter O’Toole),” The Man Who Would Be King (1975)

-There hasn’t been a kiss like that since the beginning of time: “Peter Standish (Leslie Howard),“ Berkeley Square (1933)

-Oh, only which three books would you (Lloyd) have taken?: “David Filby (Alan Young),” The Time Machine (1960, at close)

-Max, how do you feel about getting old? I always feel like I’m starting over: “Jackie Brown (Pam Greer),” Jackie Brown (1997)

-Oh, how I love you, love you, love you, love you (to Garner)!: “Karen Wright (Audrey Hepburn),” The Children’s Hour (1961)

-Move your bloomin’ ass!: “Eliza (Audrey Hepburn),“ My Fair Lady (1964)

-Why don’t you sing a song (Rooney)? How do you know I can sing (Garland)? You sing when you walk, when you talk. Why your eyes, why they’re singing right now: “Tommy Williams (Mickey Rooney),” Babes on Broadway (1941)

-I’m watching you! “Jack Byrnes (Robert Di Nero (father) with two-fingered gesture to Ben Stiller),” Meet the Parents (2000)

-Nothing so revolting to the young as the sight of their elders at play: “Rupert Venneker (Peter Ustinov),” The Sundowners (1960)

grant-loy-wc-rko-3-28-45-177k

-If it ain’t Wham, it ain’t ham!: “Gussie (Louise Beavers),” Mr. Blandings Builds His Dream House (1948)

-Mrs. Blandings little flower sink!: “Jim Blandings (Cary Grant),” Mr. Blandings Builds His Dream House (thoroughly frustrated)

-I do not care that you are not Chapel. I am with you! “Mr. Jones (Rhys Williams),” The Corn is Green (1945)

-I have never talked to a man for more than five minutes without wanting to box his ears: “Miss Lilly Moffat (Bette Davis),” The Corn Is Green

-If you do I shall strike you (“Bessie”) so hard I shall probably kill you: “Miss Moffat (Bette Davis),” The Corn is Green (young tart plays risky game)

-What happened (Dunnock)? We’ve met the Squire (Bruce) and he is ours! In ten minutes I have given the Squire the impression that he spends his whole time posturing genius in the illiterates. How? By soft soap and courtesy: “Lily Moffat (Bette Davis),” The Corn Is Green

-One shot: “Michael Vronsky (Robert De Niro),” The Deer Hunter (1978)

-You know we’re always fascinated when we find leg-irons with no legs in ‘em: “Deputy U.S. Marshal Samuel Gerard (Tommy Lee Jones),” The Fugitive (1993)

-Newman (Gerard)? Yes (Wood)? What are you doing? Thinking. Well think me up a cup of coffee and a doughnut with some of those sprinkles on ’em! “Deputy Gerard (Tommy Lee Jones),” The Fugitive

-Can you hear me now? Yes (Wood). I don’t bargain: “Gerard,” The Fugitive

-They killed my wife (Ford). I know Richard, I know: “Gerard,” The Fugitive

-I thought you didn’t care (Harrison Ford)? I don’t. Don’t tell anybody: “Deputy Gerard (Tommy Lee Jones),” The Fugitive

-What I want from each and every one of you is a hard target search in every gas station, residence, warehouse, farmhouse, henhouse, outhouse and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive’s name is Dr. Richard Kimble. Go get him!: “Gerard (Jones),” The Fugitive

-Look at this, we’re eatin’ oranges & makin’ IDs: “Gerard (Jones),” The Fugitive

-If they can dye the river green today, why can’t they dye it blue the other 364 days of the year?: “U.S. Marshal Robert Biggs (Daniel Roebuck),” The Fugitive

-And not only did they all come from healthy livers, they all came from the same liver (Lynch). Kathy you beauty: “Dr. Kimble (Harrison Ford),” The Fugitive

-Don’t worry, we’ll find her (Mom) for you. What are you, a football player, baseball player? Football (Robinson). Hey Doctor, they sent this one from downstairs. Get this one into Room Four, stat (Bruce)! Bye-bye, Joel: “Dr. Richard Kimble (Ford),” The Fugitive

-Richard!: “Gerard (Jones),” The Fugitive (spots RK descending City stairway)

-Hi!: Registration-table greeter girl (?), The Fugitive (flashback)

-Officer, officer, there’s a man in a blue coat waving a gun and screaming…at a woman: “Dr. Kimble (Ford),” The Fugitive (throwing off the cops)

-Frederick Sykes, 45, ex-cop and quite the clothshorse: “U.S. Marshal Erin Poole (L. Scott Caldwell),” The Fugitive

-Almost anything that came out of the mouth of Agnes Moorehead (1900-74)

-Wait a minute. I played a dirty trick on you (Garland). You better know, then you won’t feel so bad. When I offered to give you that song…I really didn’t mean it. I was playing you for a sap. I wanted to fix it so you’d give me a chance to try out with you. And all that sob stuff about me being ashamed of myself, that was just a bid for sympathy. I wasn’t ashamed, I thought I was being pretty cute. I’m ashamed now though. And this time, when I say I’m a heel, well, I’m not kidding: “Harry Palmer (Gene Kelly),” For Me and My Gal (1942)

-Is that alright with you (McNally)? You bet it’s alright!: “Jo Hayden (Judy Garland),” For Me and My Gal

-Hello, America, hang on to your lights, they’re the only lights left in the world!: “Huntley Haverstock (Joel McCrea),” Foreign Correspondent (1940)

-It is a crush, isn’t it (shelter)?: “Myra (Vivien Leigh),” Waterloo Bridge (1940)

-Myra’s just a sweet child, you can see that, can’t you (Field)? I can see that: “Captain Roy Cronin (Robert Taylor),” Waterloo Bridge

-You’re rather matter-of-fact (“Roy (Robert Taylor)”). And you’re a romantic: “Myra (Vivian Leigh),” Waterloo Bridge

-Here, take this (Leigh). You’re lucky charm (Taylor)!?: “Roy (Taylor),” Waterloo Bridge (+ music = most sentimental)

-War is no excuse for indecorum: “Madame (Ouspenskaya),” Waterloo Bridge

-The worst ain’t so bad when it finally happens: “Bob Curtin (Tim Holt),” The Treasure of Sierra Madre (1948)

-That’s Africa for you, one man dead, two beasts killed and no one the better for it: “Trader Horn (Harry Carey),” Trader Horn (1931)

-The lions let the jackal join in the kill (because) the jackal helps lead the lions to water: “Horn (Carey),” Trader Horn

-I don’t know why they named it after Thompson (gazelle). I showed him his first. Thompson was one of those guys who liked to carve his name into trees: “Aloysius ‘Trader’ Horn (Harry Carey),” Trader Horn

-(Africa) Either you’re killing someone to eat ‘em or trying to keep someone from killing you: “Trader (Carey),” Trader Horn

-One-she (one more (Sioux)): “Wind In His Hair (Rodney Grant),” Dances With Wolves (1990, warrior urges “Lt. Dunbar” to sit for one more story)

-This one’s for your shirts (Frankenstein), this other’s just for socks and poo-poo undies: “Elizabeth (Madeline Kahn),” Young Frankenstein (1974)

steiger-tuw-wc-1957-33k

-Well, uh, this Delores, she, uh, she’s real proud of what nature done for her, you know? Anyway, she asks me, she says, uh, ‘Don’t you think I got classy build?’ And I say, ‘Sure.’ And so she starts to show me, but I didn’t do nothin’ wrong. I just didn’t stop her form tryin’ to prove her point: “Harvey (Scott Wilson), In the Heat of the Night (1967, speaking to “Tibbs” in jail cell)

-I’ve had it up to here (hand to throat) with your town (Poitier)! Boy, it would give me a world of satisfaction to horsewhip you, Virgil (Steiger)! My father used to say that (laughing), even did, once or twice (Poitier). Yeah, well, not enough to suit me!: “Chief Gillespie (Rod Steiger),” In the Heat of the Night (1967)

-I’m tellin’ you that you’re gonna’ stay. You’ll stay here if I have to have your chief remind you what he told you to do. But I don’t think I have to do that, you see? No. Because you’re so damned smart. You’re smarter than any white man. You’re just gonna’ stay here and show us all. You could never live with yourself unless you could put us all to shame. You wanta’ know something, Virgil? I don’t think that you could let an opportunity like that pass by: “Chief Gillespie (Rod Steiger),” In the Heat of the Night

-I can pull that fat-cat down. I can bring him right off this hill (Poitier)! Oh boy, man, you’re just like the rest of us? “Chief (Steiger),” In the Heat of the Night

-Thank you. Bye bye (Steiger). Bye (Poitier). Virgil? You take care now, ya’ hear (Steiger)? Yeah (Poitier (smile)): In the Heat of the Night (progress)

-With experience it seems possible to control the flow of the paint to a great extent. And I don’t use, I don’t use the accident because I deny the accident: Jackson Pollock (Ed Harris), Pollock (2000)

-Modern art, to me is nothing more than the expression of the contemporary aims of the age that we’re living in: Jackson Pollock (Ed Harris), Pollock

-There are no stars (in rugby). That’s soccer: “Frank Machin (Richard Harris),” This Sporting Life (1963)

-Well, don’t bother Sefton. I don’t like you. I never did and I never will (Graves)! Alot of people say that and the first thing you know, they get married: “Sgt. J.J.Sefton (William Holden),” Stalag 17 (1953)

-Ach soooo: “Sefton (Holden),” Stalag 17 (rat found)

-Welcome to Sherwood, me Lady! ”Sir Robin of Locksley (Errol Flynn),” The Adventures of Robin Hood (1938)

-The Internal Affairs people were here hours ago. Two college educated little pricks! Acted like they was born & breed in Ohio: “Mrs. Ritter (Geraldine Page),” The Pope of Greenwich Village (1984)

-Blood? we’re not fucking blood, we’re third cousins (Mickey Rourke). With Italians, it’s like twin brothers with the Irish: “Barney” the safe-cracker (Ken McMillan), The Pope of Greenwich Village

-You got a sense of honor, I can smell it in ya!’ “Barney” the safecracker (Ken McMillan),” The Pope of Greenwich Village

-I’m not just an entertainer, I’m an influence, wielder of opinion, a force: “Larry ‘Lonesome’ Rhodes (Andy Griffith),” A Face In the Crowd (1957)

-They’re trained-seals (audience). Throw ‘em a dead fish and watch ‘em flap their flippers: “Lonesome (Griffith),” A Face In the Crowd

-Wait’ll I get to California! Gonna’ reach up and pick me an orange whenever I want it, or grapes. That there’s somethin’ I ain’t never had enough of! Gonna’ get me a whole bunch a grapes off a bush and I’m gonna’ squash ’em all over my face and just let the juice drain down offa’ my chin (Grapewin). Pa-raise the Lord for victory (Tilbury)! Maybe I get me a whole washtub fulla’ them grapes and just sit in ’em and scrooge around till they was gone!: “Grampa Joad (Charlie Grapewin),” The Grapes of Wrath (1940)

-Well, maybe it’s like Casy says, a fella’ ain’t got a soul of his own, but only a piece of a big soul, the one big soul that belongs to everybody, and then…Then what, Tom (Darwell)? Then it don’t matter. Then I’ll be all around in the dark. I’ll be everywhere, wherever you look. Wherever there’s a fight so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad and I’ll be in the way kids laugh when they’re hungry and they know supper’s ready. And when our people eat the stuff they raise and live in the houses they build, why, I’ll be there too: “Tom Joad (Henry Fonda),” The Grapes of Wrath

-A woman can change better than a man can. A man lives in jerks. A baby’s born or then somebody dies, that’s a jerk. He gets a farm or loses one, and that’s a jerk. With a woman it’s all in one flow, like a stream, like little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that: “Ma Joad (Jane Darwell),” The Grapes of Wrath

-Maybe, but we’ve sure takin’ a beatin (Simpson). I know. Maybe that makes us tough. Rich fellas come up and they die, and their kids ain’t no good, and they die out. But we keep a-comin’. We’re the people that live. Can’t nobody wipe us out. Can’t nobody lick us. We’ll go on forever, Pa. We’re the people: “Ma Joad (Darwell),” The Grapes of Wrath

-Where to now (Faye)? Home: “Eric Stanton (Dana Andrews),” Fallen Angel (1945) (closing line – love realized)

-You (Fonda) look like the last grave over near the willow: “Jean Harrington (Barbara Stanwyck),” The Lady Eve (1941)

-Plastics (to “Ben”): “Mr. McGuire (Walter Brooke),” The Graduate (1969)

-Can I have it (Curtis)? Nooooo, an officer’d take from you at Ft Benson. This gun’s too good for an officer: “Sgt. Wilkes (Jay Flippen),” Winchester ‘73 (1950)

-Oklahoma, Oklahoma, Oklahoma, Oklahoma (banging pot)! “Rubrick (Steve Martin),” Dirty Rotten Scoundrels (1988)

-Tranella speaks two languages, Italian and Brooklyn: Narrator on “Private Tranella (Richard Benedict),” A Walk In the Sun (1945)

-Don’t be a jerk all your life, take a day off: “Vic Dakin (Burton),” Villain (1971)

-Ahh, youth is wasted on the wrong people!: T-shirted man on porch (‘Why don’t you kiss her?!’) (Dick Elliott), It’s a Wonderful Life (1946)

-Smack (on Geoffrey Lewis’ face)! Don’t ever point a gun at me! Understand?! Not even a twig (Eastwood)! Got it! You come from the hitters: “Goody (Geoffrey Lewis),” Thunderbolt and Lightfoot (1974)

-Why’d they move it (Bridges (old school house with the hidden loot)? History, history, damn it: “Thunderbolt (Clint Eastwood),” Thunderbolt and Lightfoot

-I don’t think of us as criminals, you know? I feel we accomplished something. A good job. I feel proud of myself, man. I feel like a hero: “Lightfoot (Jeff Bridges),” Thunderbolt and Lightfoot

popcorn-9m-wc-t-bresson-6-15-16

Steven Keys
Photo credit: Bonnie&Clyde, wc.cca, A.Koehne; M.Shearer, wc, 10.11.54, M.Feinstein; S.Tracy-E.Bartholomew, CC, 1937, MGM; J.Crawford, MGM, TLMC, 1937; M.Gandhi, wc, pre-1942; B.Davis, AllAboutEve, 1950; H.McDaniel, wc, 1939; R.Ryan-J.Leigh, MGM, wc, 1953; C.Grant-M.Loy, RKO, 3.28.45, wc; R.Steiger, wc, TUW, 1957; popcorn, wc, T.Bresson, 6.15.16
Posted: 2.16.17 @ 2:06pm EST; update 6.13; Copyright © 2017

Advertisements

Yore Movie Swells: Frédéric, Feb.19 and 21 A-1 Race-Chases in Film

25 Sep

Not many movie scenes can glue you to your seat like the riveting race-chase. A staple since the Keystone Cops (1912) were on the case, road-rage is the usual format but planes, trains, boats, chariots, horse-buggies (Friendly Persuasion 1956), even foot pursuit can fuel the fleet.

Automobiles to me are kinda’ like classical music, I don’t know the details but I know what I like. So on that note (♫), here then are listed the 21 best race-chase scenes in yore movie history (< 2000), the Antonio Vivaldis, Claude Debusseys, Felix Mendelssohns, Erik Saties, Frédéric Chopins, the Beethoven and Bachs of cinematic speed. Va-room!

Bullitt (Directed by Peter Yates 1968): Think you need city hustle & bustle to sauté a sense for cinematic speed (Frankenheimer (NYC), D‘Antoni (NYC), Friedkin (CHI), Hickman (LA))? Think harder. McQueen (1930-80) was born in Beech Grove, IN and grew family farm in Slater, MO. Rated by some as moviedom’s best race-chase, it’s hard to dispute. The story can confuse but the R/C, including its build-up (seat-belts, mirrors), bad guy shots (Bill Hickman (The Seven-Ups, Patton & TFC) at the wheel, Paul Genge shot-gun), cool cars (Mustang GT (SM & B.Ekins) / Dodge Charger (BH)), film (W.Fraker (Le Mans)), frame (F.Keller), sound and music-lite (L.Schifrin), all make it a work of art that even a car novice and gun-control advocate can appreciate.

am-grafitti-32-ford-5-windw-coupe-wc-sicnag-2-5m-2012American Graffiti (George Lucas 1973): This most famous of movie drag-races pits “John Milner (Paul Le Mat)” vs. “Bob ‘Nobody’ Falfa (Harrison Ford)” to close out a perfect movie packed with stars, songs & style (“Rome wudn‘t burnt in a day (Bo Hopkins)”). Lucas never made a better film, and made a pretty penny, too ($777,000 > $140M Box (Wikipedia)!).

Ronin (John Frankenheimer 1998): Having cut his racing teeth 30 years prior on Grand Prix and then FC2, it’s no wonder John’s behind what is arguably the most breathless car chase scene in all of film history. Any wonder a woman (Natascha McElhone (“Deirdre!”)) with an enchanting “Irish lilt” is at the wheel of the lead car (+ Rob De Niro (CIA “Sam”) & Jean Reno) in this action-thriller? Nope.

The French Connection (William Friedkin 1971): Another top contender for that #1 spot in race-chase, it may be the best known, not just on the near misses (eek!), but the closure (satisfaction) it affords viewers. Gene Hackman (Jim ’Popeye’ Doyle) and Frenchman Marcel Bozzuffi (“Pierre”) are the principals, making use of a myriad of means in car, subway and finally on foot.

French Connection II (Frankenheimer 1975): In Marseilles with no driver’s license, passed-off policeman-on-probation “Popeye Doyle” foots it in movie’s finale to apprehend his nemesis, heroine wholesaler “Charnier (Fern Rey).” My personal favorite, after the horse flick (See; Below). Feel the wheeze, then the breeze. Does he get his man? It’s why shooting-range time can pay off.

ben-hur-1959-mgm-chariots-873kBen-Hur (William Wyler 1959): Other versions exist (1907, 1925 & 2016) but nothing to match, let alone surpass the pageantry & thrill of a chariot race between Charlton Heston and Steve Boyd, nor its gripping aftermath when ground-round “Messala,” with one foot in the grave, gut-punches his former-friend-turned-foe in dying declaration: “It goes on, it goes on, Judah, the race.” Don’t we know it.

The Seven-Ups (Philip D’Antoni 1973): If Frankenheimer is Emperor (b.NYC 2.19.30 (d.‘02)) of movie metro car chase, Phil’s gotta’ be its Big Apple (b.NYC 2.19.29), directing or producing three of the best R/C scenes in the genre (See: Bullitt (P) & TFC (P)). Something about coming into the world via New York on February 19th that calibrates the DNA? In the 7-Ups it’s Roy Scheider’s turn behind the wheel with resident bad-asses in Bill Hickman (See Also: Bullitt & Patton) and Dick Lynch in his sights, for awhile, anyway. Head down! Ouch!

Grand Prix (John Frankenheimer 1966): Too much grease-opera (prurience) for this fan but the track scenes in cinematography (Lionel Lindon & Saul Bass), sound (Frank Milton) and actors-actually-driving are superbly done and now even more appreciated. In reflection on TCM, John was amazed at the audacity and courage of the actors, and permissibility of the makers. Different days.

Le Mans (Lee Katzin 1971): Unlike Grand Prix, here the female allies are truly in-waiting, not surprising given nearness of death’s door, and attractions between the opposite sexes compliments, rather than competes with the task at hand, racing. It’s a Steve McQueen flick, i.e., focus. This one also gets an edge on script (SP: Alan Trustman & Harry Kleiner) but like its predecessor in GP the driving scenes (cinematography: William Fraker) are a testament to the racing gestalt. Rivalry between the circuit stars in “Delaney (SM)” and “Stahler (Siegfried Rauch)” is credible and pleasing in its respect (closing gestures). ”

captainscourageous-mgm-wc-1937-1-9mCaptains Courageous (Victor Fleming 1937): After testy tadpole Freddie Bartholomew is rescued, read the riot act and finally earns his keep, by the patient, sage & lyrical guidance of his Portuguese charge “Manual (Spencer Tracy),” the fishing vessel “We’re Here” races to be first in port. You’ll feel the sea-mist, the danger, then the heartache and finally begin to understand.

On the Beach (Stanley Kramer 1959): Powerful subject matter (nuclear aftermath) parlays pointed passion as a fleeting tonic, it is OTB where Hall-of-Fame hoofer Fred Astaire takes to race-car and drives for victory through a minefield of mangled wrecks in the truest if most dangerous spirit of sport. Fred’s grittiest role.

Viva Las Vegas (George Sidney 1964): Stars Elvis Presley, Ann-Margret and Cesare Danova. The music and melodrama give way to one of the most frightening and furious road races on film. Yeah, an Elvis flick. Go figure. Just hope the real drivers came out okay (gulp). Holy Hound Dog!

The Fast and the Furious (John Ireland & Ed Sampson 1955): A kidnapping was never so kooky. Criminality, romance and racing all in the same vehicle. But Dorothy Malone revs with radiance, even under stress, the cars are classic cool and the pros behind the wheels, including John, all take their curves like an ace.

The Bank Dick (Edward Cline 1940): Unlike the shortened pursuits in Bonnie and Clyde (‘67) (“I‘m not driving into Oklahoma!”), in TBD the California cops stay on the hunt when bank guard “Egbert Sousé (W.C. Fields)” gets heisted along with the loot, calmly currying laughs n’ gasps that you’d come to expect.

nationalvelvet-mgm-jan-1945-nborm-745kNational Velvet (Clarence Brown 1944): This spirited tale of the Grand National doesn’t have cool cachet of a Bullitt, nor will it have you clutching the couch as would Ronin. What this “bit of a girl” Elizabeth Taylor and her saucy steed “The Pie (“marauding pirate (R.Owen)”)” will do for a viewer, if they’ve a heart bigger than an acorn, is to give reason to laugh, to cry, to cheer and then give thanks that they were lucky enough to take in the show. Hands down the most inspirational race in movie history. The rest of the flick is a bit of alright, too. Ms. Taylor’s best.

Mad Max (George Miller 1979): The only good flick in the series, Mel Gibson, with help from an inventive mechanic (Dave Cameron), runs the “Night-Rider (Vince Gil), his leggy lady (Lulu Pinkus) and the “Toe-cutter (Hugh Keays-Byrne)” into.. how do I put it without giving it away (?), into a different dimension. Glad they all missed the creeping kid crossing the road (Matt Constantine). Phew!

The Terminator (James Cameron 1984): The concept was fairly unique, “Sarah (Linda Hamilton)” and her time-travel bodyguard “Kyle (Mike Biehn)” must out-race their steel n’ circuit pursuer (T-800 cyborg robot (Arnold Schwarzenegger)) intent on their demise but which cannot be stopped, not by conventional means. The bookend chase scenes are gripping with music – sound scores (Brad Fiedel) that raise and then retain the tension.

Terminator 2: Judgment Day (Cameron 1991): “Sarah” now has family (Ed Furlong) (Guess who‘s Daddy?), two feisty robots on her tail who this time have savoir faire, one defensive (Arnold), the other destructive yet advanced (“T-1000 (Rob Patrick)”), able to replicate (“liquid metal”). Tanker spill late, freezing the bad-bot temporarily is F/X gold, but the Mall exit chase putting a tractor in LA’s aqueduct in early computer-enhancement struck the perfect balance no longer sought in today’s digitalized deluge of dull.

sullivans-1941-wc-109kSullivan’s Travels (Preston Sturges 1941): Early in his journey of enlightenment, movie-maker “John L. Sullivan (Joel McCrea)” hitches a harrowing ride with a young lad (Payne B. Johnson?) in his custom-made jalopy through haystack and assortments, pursued by a bumpy busload of entourage that includes William Demarest, Margaret Hayes and another Chicagoan, Charles R. Moore in an unforgettable kitchen catastrophe. ‘Safety first’ was never so missed but you’ve gotta’ admire the kid’s pluck.

To Live and Die in L.A. (William Friedkin 1985): It’s not just New Yorkers with keen sense of cinema speed, the City of Big Shoulders produces its share, too. Bill may’ve topped his TFC chase with this West Coast hair-raiser, starring fellow Chicagoan in William Petersen who takes a wheel. Box office boom ($6M / $17), ‘To Live’ rarely gets aired but you‘ll never forget the California cruise.

F/X (Robert Mandel 1986): Hi-jinx is a common commuter on the car chase caravan and F/X, though not without poignancy (“Ellen (D.Venora)”), does its part to keep the line running. Creative minds Bryon Brown & Martha Gehman lead police pursuer and PVC sufferer Joe Grifasi on the heart-stopping hunt. Money-chase and a Swiss bank bonanza make this a top treasure film too with a nice tune in close to top it off (“Illusion (Imagination)”).

Steven Keys
Photo credits: Ben-Hur poster, MGM, R.Brown, wc.cca, 1959; American-Grafitti Ford 5W Coupe, wc, Sicnag, 2012; Ben-Hur chariots, MGM, wc, 1959; Captains-Courageous poster, wc, MGM, 1937; National-Velvet, wc, MGM, 1945, NBoRM; Sullivans-Travels, wc, 1941;
Posted: 9.24.16 @ 11:02pm, edit 9.26 @ 5:06pm EST; Copyright © 2016

Inking Kaep Krusader & RG3: ‘Strange Destiny’ or ‘Experiment(s) Perilous?’

6 Apr

It’s a strange destiny that has brought me to this new life, a new home (“Ben-Hur (C.Heston)” speaking to a gathering in celebration at the house of his adopted father Counsel “Quintus Arrius (J.Hawkins) (Ben-Hur (‘59))”).

Or…

Life is short, art long, decision difficult and experiment perilous (Hippocrates & “N. Bederaux (Lukas)” in movie by the same phrase (Experiment Perilous (44)).”

Rome would prove a strange place for “Judah” to call home.

Formerly enslaved on a charge of attempted murder upon the Governor (his jailed sister “Tirzah” the true culprit) then freed for saving the life of an Admiral (“Quintus Arrius”), the City was capital of the vast Italian empire and base for the army which occupied his own land of Judea.

Likewise, the Forest City on the banks of Lake Erie, even with it’s industrious people who ♫ rock ♫ the cradle in the State that theoretically gave birth to pro football (See; Canton, AAFC, NFL, etc.), could not have been where Bob Griffin even imagined a residence 4 years back when his newborn NFL career took it’s first baby steps in our own nation’s capital, DC.

I’m the metaphor guy, what can I say?

.....RG3.Baylor.8.15.9.wc.Caesarscott.thmBut like the charmed chariot racer and Christian convert “Ben-Hur,” Cleveland’s newest add-on at the quarterback spot in the former Heisman hoister and Redskins’ hopeful (2y, $15M), Rob too may find his new home provides the place where he can re-charge his battery to power a similar rebirth in spirit and success, sans any grizzly bone-crushing horse-trample (See: “Messala (S.Boyd)”). Ouch!

The Brownies and their Super Bowl starved fans sure hope so. It’s been a downhill ride ever since Bernie Kosar (‘92) and then the original team left town for the Crab Cake City in 1995.

What may be more surprising than where Bob has ended up is how last season played-out in DC, or more correctly, didn’t play-out for Washington’s former starter as he didn’t take nary a snap in Redskins regular slate.

After starting summer camp fit & ready to re-prove himself (All-Pro ‘12), Bob got concussed in a pre-season contest where Detroit coach Jim Caldwell apparently had his felines go full-tilt and Bob got his bell rung hard. The Sporting Gods were not all too pleased with Lions’ decision-making and as they will often do sent bad karma the offender’s way in-season (1-7 start, W13 L-GB, Calvin exit, etc.).

.....Cousins.7.31.12.wc.cca.K.Allison.thumbThat’s all it took for coach Jay Gruden to insert the man who’d prove to be the season long #1 in Kirk Cousins who made most of his opportunity by leading ‘Skins to a 9-7 mark, NFC East title, playoff birth and Fatty Arbuckle-wide stats.

So girthy were the digits (70C%, 29t-11, 4166y) that KC & Agency have been engaged in an off-season duel of contract-swords with owner Dan Snyder over how much coin the new franchise face will collect. Corked tips, of course, nobody wants blood.

Considering that Kirk played for relatively (pro) peanuts his first 4 years ($2.5M) and that we’re presently and likely to remain in a seller’s market for pro-style NFL signal-callers for some time, the man from Holland, Michigan who’s set to turn 28 in August should get a princely sum.

Ask Bob about Kirk’s situation and he’d likely not begrudge his former ‘mate the moolah and the same opportunity to succeed as he received in 2012-13 when hope was springing eternal for the former Baylor Bear.

.....Manziel.8.2.14.ED.Drost.wc.thmb.headThe Browns signed the now well-rested if a bit rusty RG3 to a widening QB klatch in Cleveland that no longer includes Jon Manziel who unfortunately probably disdains the java brew, benefits & all.

So where does Robert stand (sit) in the depth chart?

Checking in with Ourlads.com “NFL scouting services,” Bob sits at #2 behind last season’s early starter Josh McCown (1-7, 64C%, 12t-4i) and ahead of Austin Davis (0-2, 59.6C%), Connor Shaw and Pat Devlin. Johnny ‘Uh-Oh’ Manziel (2-4, 57.8C%, 7-5) was released in March, maybe on his Tebow-esque techniques (2-4, 57.8C%, 7t-5, 37ra-230), sans the wins, but more likely on as his juvenile and addictive mental states.

Josh is bit toothy, set to turn 37 in July and has not made the most of his chances in five stops (18-39, 59.5C%, 73t-63i) AZ, OAK, CHI, TB, CLE). But he’s always had good size (6’4), mechanics and must be saying the right things because coaches keep giving him a shot. In his defense, the teams he’s led have been short on top talent. Cleveland in 2016 is not much different.

All that means Bob has a good chance of becoming Browns 20th (+/-) starting QB (10 HCs) since post-Kosar. On opposite end of success spectrum, Packers have had just two, Favre and Rodgers (Flynn 6gs). But that’s anomaly cheese.

.....Jackson.8.12.8.wc.K.Allison.thmWhether or not Bob earns the starter’s job in autumn, and I’m confident Browns’ brass expressed it as such and Griffin agreed, it will likely come eventually. Whomever gets the nod in September the pressure to win will be high at FirstEnergy Stadium, as unrealistic an expectation as that my be with the current roster.

The Browns have more holes than a nightshirt come April (I’ll be damned if I can’t find a pair of quality long-johns anywhere at any price anymore) and first year head coach Hue Jackson will have his hands full.

Hue will need to utilize every bit of offensive know-how in strategy and development to get the Brownies scoring game in gear. In 2015 Cleveland ranked 25th in ygpg (331.9), just two spots behind the QB-set Packers (#23 / 334) and 30th in ppg (17.4), topping the terrible Cowboys (17.2) and 49ers (14.9). Browns didn’t fare much better on the D-side where returning DC Ray Horton will be expected to shore things up (CLE ‘13 (TN ‘14-15)), coming in at 27 (379 / yapg) and 29 (27 papg) in the key components.

Will Cleveland draft a QB in May? Best guess, no, late Rd possible, of course. Instead expect them to plug top picks elsewhere, especially that the collegiate QB talent pool’s been rated shallow this time around. Rated, not necessarily reality.

If & when Bob does happen to win the starter’s job, big question on most minds will be what style of quarterbacking will he and his coaches implement?

.....RG3.LBoyd.MGreen.USMC-NY.wc.4.26.12.thmWill he work in the office, behind the line of scrimmage, refine his read skills and learn to love the pocket or will he go back on the road and revert to the run mode that served him well at Baylor and his rookie campaign when he scampered for 800+ and led Redskins to 10-6?

Wise answer: The former, no matter the learning curve. His knee can’t handle the latter, not for long, anyway.

The prediction: Something in-between, a half-measure which’ll prove impotent. But life’s full of surprises and maybe Hue has one or two up his sleeve.

Old dogs, new tricks

Bob’s still fairly young in NFL terms (26) but like Shane (A.Ladd) said, “Man has to be what he is, can’t break the mold…the brand sticks.” That’s a high drama and flowed from a situation much hairier than Bob’s, but it does hold true most often for mature athletes, as well.

Once a flash-QB, always a flash QB.

There’s a stubbornness, an arrogance-in-athleticism, fed by the occasional burst of brilliance or playoff run, that will likely inhibit the conversion from run-under-pressure to cool-as-cucumber in the pocket. Those hunker skills are honed over time, a process starting in Jr. High when you learn to brave the first hard hits and fight natural instinct to rabbit. It’s a long, painful, educational process, not something you just pick-up spending a few extra hours in the film room on Wednesday before your next shoe-wear photo-shoot. Only those dedicated to the switch will survive and thrive. Maybe that’s Bob.

.....Kaep.2.3.13.wc.cca.Au.Kirk.thumbAnd it’s why Denver might be wiser to take a pass on the Colin Kaepernick deal, Super defense aside. But then maybe finding, fashioning that elusive good fit ain’t exactly keeping John Elway awake at nights anyway, feeling his oats & all after piecing together a team that made one of the best championship runs in NFL annals.

After letting Peyton retire (showing him the door?), arguably greatest QB in history, one I believe wanted to be ‘wanted back’ for one more, hopefully healthy and celebratory season in Broncos blue & orange (It’s just not the same on the links), and then parting ways with a ready-man starter in Brock Osweiler who should’ve been reminded that he will not be passing to J.J. Watt in Houston colors, the Mustangs seem…content.

Denver’s defense has Kaep Krusader déjà vu-ing “all over again (SF 2012-14).” And he’s got some call to feel cocky: He’s been there before (two NFCCs (SB47)), is not careless with the ball (brass love that) and he’s presently shopping his services in a seller’s market for established QBs.

But while Kaepernick will do his best to bust through brick walls, he’s so cautious, slow-to-read routes he won’t easily thread-the-needle (59-C%), is dealing with the #2 franchise in negotiation wherewithal (GB #1) and tenses-up in the red-zone (See; SB47 & NFCC14). Guy’s still a project of sorts and then not exactly made from the Denver Broncos‘ mold of quarterbacking.

Broncos clearly have the edge here, budget or not. Kaep & Co. are well advised to give some ($) now to make the deal, then make it up later, if he can win over the guys in the locker-room who already got their rings (SB50). Keep in mind new Denver QB in Mark Sanchez has guided teams to Conference games himself (Jets), though, like Colin (10-14 post-NFCC14), has looked more like a caretaker-QB (PHI 4-6) than a take-care-of-business field general (See: Patton).

What’s more, the run-around routine won’t often catch Ds off guard anymore.

.....Newton.2011.wc.thm.Pantherfan11Sure, their ‘athleticism’ will see they break off a 80-yarder now & then (See: Mariota), and it’s most successful adherent to date in Cam Newton did lead Carolina to only their 2d Super Bowl (50) last February, garnering the MVP in the process.

But Carolina got thumped like San Fran (SB47), before the lights went out.

Camster-the-Hamster is a special player. His size (6’6”) and not yet fully unrealized pass potential will extend his tenure beyond most (See; Young, Vick, Tebow, Manziel), that is if his ACLs can take the add’l tackles to which run-QB subjects himself. And like other flash-men, Sir-Runs-Alot is plagued by the same foible: Red zone funk: An indecisiveness wherever advanced reading skill is required (SB50). A deficiency Elway and Jackson may compensate but never overcome: Old dogs, new tricks.

And it’s why a setting like Cleveland is a good fit for RG3.

If Browns’ front-office can muster the patience, a rare virtù these days in any operation, a mindset that allows Bob to develop his own patience in the pocket, and then fashion an O-line that can protect (53sk 2015), find a pair or two of go-to hands that can assist and a ground-man who “run(s) to daylight (See; NFL Draft.16),” this “experiment” can be less “perilous” and more profitable for the history-laden franchise on the lake.

.....macroecono.lamcasinoroyal.2011.wcSteven Keys
MacroSport
Photo credit: Ben-Hur, Berti-Heston, MGM, 1959, wc; R.Griffin, wc, 8.15.9, Caesarscott; K.Cousins, wc, 7.31.12, K.Allison; J.Manziel, 8.2.14, ED.Drost, wc; H.Jackson, wc, K.Allison, 8.12.8; RG3-Lboyd-Mgreen, wc, USMC-NY, 4.26.12; C.Kaepernick, wc, 2.3.13, Au.Kirk; C.Newton, wc, Pantherfan11, 2011; macroecono, lamcasinoroyal, wc-11;
Posted: 4.6.16 @ 3:05pm EST; Copyright © 2016

NFL15 Cherry Picks W13: “Importance of Folly”

3 Dec

Go With Mojo

Sport fan that I am you’d think on turkey day I’d be glued to the tube (we’re not on the plasma-screen, yet) devouring the Cats-Cowboys contest before it got gamy (33-14), which was before Romo suffered a re-break of his clavicle. Poor guy. But like “Chet” said (Monte Walsh ‘70), “no one gets to be a Cowboy forever.” Ain’t it the truth.

Instead, I was tuned to TCM where they were running a family festival of flicks.

.......Taylor.1956.Giant.611k.thmThe players: 1940s #1 box-office draw Mickey Rooney (“Mi”) as ex-jockey wayfarer turned trainer, adorable Liz Taylor as wisp of a girl (“Velvet Brown”) who rides “the Pie,” blossoming beauty Angela Lansbury (“Edwina”) and veteran character actors Reginald Owen, Arthur Treacher (race patron), Arthur Shields and Anne Revere and Donald Crisp as the sage & certain “Brown” parents. Oh yeah, and least I forget, little Jackie Jenkins (“Donald”), the bug collector.

A movie with more wit & wisdom you will never find. If you’ve of a warming heart and sporting blood, this one’s for you.

Clarence Brown (director), Pandro Berman (producer) and Helen Deutsch (writer) packed this 2-hr beauty with enough practical proverbs, humor and heart-tugging tension to hold the interest of everyone but especially those who have ever lovingly engaged a “folly” in the dream to become a champion.

Not one to spoil an ending, suffice to say that Velvet and her “Sussex” stallion-in-spirit, the “Pie,” short for “murderous pirate,” an off-the-cuff remark made by its frustrated prior owner, give viewers what is arguably the greatest race in all of moviedom, chariot (Ben-Hur (‘59)) and car cruises (Bullitt (‘68)) included.

.......Revere.1947.wc.thm.Gentlemen'sVelvet personified the best of sport: An unflinching dedication, respect for the time & effort needed to achieve a champion’s end and most important of all, a full vesting of emotions, including an unabashed admission of the need for “glory” that only “folly” fulfills, this last trait inherited from “Mrs. Brown” who was herself imbued with spirit to compete, having swum “the Channel” in her youth.

If you don’t think emotion, heart, is central to sport, you don’t belong, not on the field, anyway. Probably wouldn’t do to have you in with the Suits & Skirts, either.

Lombardi said it, when you enter the world of sport you “bring your emotions with you.” Include in there having a good “cry” sometimes, too (Time 3/70).

Others don’t see it that way.

To them, the spectacle of sport is viewed through eye of an actuarial, calculating gains and risks as an insurance agent drafts a policy. Emotion? Only as necessary.

Enter Chuck Pagano, the Indianapolis Colts’ head coach. The Chuckster is in a bit of a sticky-wicket.

......Pagano.wc.8.20.09.K.Allison.thmHis starry young QB Andy Luck (35-20 (’12); 3-3 PS) struggled (2-5) this topsy-turvy 2015 and is set to return from a kidney hurt sometime soon, likely displacing veteran Matt Hasselbeck (205-156 (’99)), even as the former Super signal-caller (40: SEA (L v PIT)) has steadied the listing ship that was Indy earlier in the campaign by leading Colts in four victories and back into the mix.

If those numbers weren’t enough to get you behind Matt Hasselbeck, read on:

1) Nothing alters Luck’s status as Colts’ future, not even were Hasselbeck to lead Indy to SB50. Matt’s playing superbly but at 40 is playing out his string;

2) Andrew can be inserted anytime, if Matt loses the magic or suffers injury; and

3) Don’t mess with mojo. ‘If it works (and current guy got the machine running) don’t fix it.’ This had been a prevailing maxim and seems so in Denver where the Brock v Peyton debate rages. But then today’s drive to youthenize can work a double-std: Matt will likely be benched, Brock will play on.

Becher’s Brook

Soon into National Velvet the viewer learns of a hazard of hedges & trench in the handicap steeplechase known as “Becher’s Brook.” It can make mice of men and break beast of body & mind. As such, Mickey does his best to prepare his charge and her ride for the tough test that lies ahead. Both prove up to the task.

And it’s at this holiday stage in NFL’s course that every contender team should be asking themselves, ‘What Becher’s Brook lay ahead in our own pathway to glory?’ What major obstacle must each team overcome to get their ticket punched for that trip to Santa Clara (SB50) come February?

Fine lines: Every contender aught gage & wage the men-in-the-trenches. All good things come to those who control the line of scrimmage.

Split-the-Uprights: Grand National (1839) pre-dates US ‘ball (1869 (Wikipedia)), but the kicking-game’s been key from get-go, preceding forward pass by 30 years. Many a game comes down to a FG and practice makes perfect

Green Bay: Fill Jordy Nelson void. Not since 1930s could a 7-4 GB squad be underdog vs 4-7 Lions team. Worm turned? More like, Back to the Future..Shock.

Chicago: Sporting gods are having a ball in 2015, inviting Halas to join the fun (GB), yet wouldn’t take the founder’s call vs Denver (failed 2-pt’er (17-15)). Bears, like Vikes, need to score more points (21 (#24)) and hope Forte has another gear

......Viktor.11.7.10.wc.thm.MN-NG.2Minnesota: Seattle is a Certified Mettle Match but Green Bay (@ 1.3) is the Vikings’ litmus test

Indianapolis: Luck-on-return v. Hotter-than-pistol Hasselbeck

Denver: Brock v Peyton: Mustangs were 7-2 under Manning. The 2 Ls, nail-bitter (@ IND) and hobble City (KC). 7-2 this sorry NFL season is near champion

Seattle: Don’t scoreboard-watch (AZ), just keep doing what you’re doing

Arizona: Keep protecting Carson (17sk), blocking for David ‘Stiff Arm’ Johnson who’ll need to step up and try to get kicker Catanzaro more tries from 50+ (0-1).

Tampa Bay: Giving up too many points (25.4 (#25))

Atlanta: Getting next win (@ TB) could turn tide, Ryan avoiding INTs (12), return of healthy Freeman and the kicker spot settled are all brooks to breach

.....Stafford.wc.8.20.15.K.Allison.thmb.Detroit: Must send Green Bay packing (12.6), again, and the mojo will mushroom. More run-game would help.

Carolina: Tune out the naysayers, believe it’s earned (11-0) and Camster-the-Hamster needs to cut down on the rabbit

NFC East: Giants, Redskins and Eagles all must work to find consistency…somewhere, somewhere, sometime.

Kansas City: Like Lions, besting their long time rival (@ OAK) is a booster, QB Smith keeps playing his game and like many clubs, get more from the RBs

Oakland: Tough slate, and like TB, defense needs to catch-up to the offense

Houston: QB carousel (Hoyer+) and need more run (5td), but if Texans win 2 of next 3, chances for playoff slot are good

Cincinnati: Don’t look to the playoffs, spell Dalton’s arm with more run-game and try to get Nugent (K) some 50+ tries (0-0).

.....Roethlisberger.9.9.12.J.Beall.thmb.wcPittsburgh: Big Ben’s health overrides all which makes DeAngleo Williams contribution a key component

New York Jets: Another rival match-up (@ NYG) that sets the tone for the stretch run in a season where playoff spots are there for the taking

Buffalo: Like the Falcons, a win this Sunday could improve the outlook greatly for the remaining slate is not the toughest

New England: Protect Brady (25sk), catch his passes and hope to see NYG

The Human League

As November turns to December the whine-fest continues. Burp.

....ref.NFL.Cheffers.wc.2013.royalbroil.WI.thmThe bash of NFL officials goes on as the bullies get drunk on sour grapes & self-love. And sadly, NFL knee-jerks scramble to appease (“Report: Officiating Crew“ / SI.com / 12.1.15).

NFL referees, like baseball umpires, are the go-to whipping boys (now a few girls to feel the pain) for faux-fan scribes & sportscasters who groove on the gripe and fans who drink it in till their bellies fill, neither knowing when to say ‘when.’

Between the cry-babies, Chicken Littles and cluckheads who fear for profits, none of ‘em will cork-it until the human element is removed entirely from our tumultuous merriments and turned into video games where software kids decide the fates, who wins, who loses. Then they’ll gripe some more. Ugh.

..cherries.Hispalois.Spain.wc.cc.thmb

Cherry Picks Week 13

Pack (7-4) @ Lions (4-7); 12.3 CBS 8:25: GB wins
Jets (6-5) @ NYG (5-6); 12.6 CBS 1:00: Giants win
Cards (9-2) @ Rams (4-7); Fox 1:00: Arizona wins
Atlanta (6-5) @ Bucs (5-6); Fox 1:00: Falcons win
SEA (6-5) @ MIN (8-3); Fox 1:00 (GTW): Hawks win
49ers (3-8) @ Chicago (5-6); Fox 1:00: Bears win
Texans (6-5) @ Bills (5-6); CBS 1:00: Houston wins
Bengals (9-2) @ CVD (2-9); CBS 1:00: Cincy wins
Chiefs (6-5) @ Raiders (5-6); CBS 4:05; Kansas City wins
Denver (9-2) @ Chargers (3-8); CBS 4:05: San Diego wins
Eagles (4-7) @ New England (10-1); Fox 4:25: Patriots win
Carolina (11-0) @ New Orleans (4-7); Fox 4:25: Saints win
Colts (6-5) @ Pitt (6-5); NBC 8:30 (GTW2): Steelers win
Dallas (3-8) @ Redskins (5-6); 12.7 Disney 8:30: DC wins

Record: 62 – 63

...NFL-symbol.wikiproject.6kbSteven Keys
NFL HunchLine
Photo credit: National-Velvet, MGM, wc.cca, 1945, NBoRM; E.Taylor, 1956, Giant, wc; A.Revere, 1947, Gentlemens-Agreement, wc; C.Pagano, 8.20.09, K.Allison, wc; National-Velvet, MGM, wc.cca, 1945, NBoRM; Viktor, 11.7.10, wc, MN-NG; M.Stafford, 8.20.15, K.Allison, wc; B.Roethlisberger, 9.9.12, J.Beall, wc; NFL-referee, Cheffers, 2013, WI, royal broil, wc; Cherries, Hispalois, Spain, 7.2.12, wc; NFL-symbol, wikiproject
Posted: 12.3.15 @ 6:03pm EST; Copyright © 2015

NFL14 Cherry Picks W12: “Hail (Arians)!”

21 Nov

Formula for Success

Even with the Clark Kent frames, no one’ll confuse the Cardinals Bruce Arians, or Joe Maddon (Cubs) for that matter, with “the man of steel.” But who needs muscles and wavy locks when the owner (Bidwill) is paying for the brawniest brain on the NFL block?

It’s been a long, methodical journey that has brought Mr. Arians (b.1952) to this pleasing point in his coaching career.

A “wishbone” quarterback at Virginia Tech (‘74) (a word I miss hearing), Bruce began as a grad-assistant (VT ‘75) and has held twelve various coaching posts since, heading it up at Temple (’83-88), interim in Indy in Pagano‘s absence (‘12 (9-3)) and now directs the Arizona desert Redbirds (‘13) (Wikipedia).

..........J.Hawkins(Arrius).wc.cca.1959.BenHur.thumb

I’m beginning to think those guys who mold winners, craft champions, must all follow that famous line from one of the great molders in sportium, Branch Rickey (1881-1965), who left memorable marks in St. Louis, Brooklyn (Jackie) and Pittsburgh (Clemente).

Rickey’s great adage: “Sometimes the best trades are the ones you don’t make.“

When you’re trying build a winner, it’s best to start in-house, see what you’ve got, separate the wheat from the chaff as it were and add new ingredients as need be.

It’s true enough, holding onto a good player is sometimes just plain, dumb luck, having shopped their services and found no good buyer. But then some gridiron gurus just seem to have a knack, a keen ability at valuation of talent like that fine orchestra conductor who can pick out sweet and sours notes from wherever they emanate.

In short, the great ones (Belichick, Bochy, Pops, etc.) have a formula for success.

Arians first order of business upon arriving in the sunset State, the player variety, anyway, was finding the key-est of ingredients: a skillful quarterback to take over after Kev Kolb was concussed out of football. We hope Kevin is finding the best treatment.

...........C.Palmer.9.8.14.wc.cca.G.Buch.thumb

Thirteen-year veteran Carson Palmer, formerly of Oakland (’11-12), was the component.

Though he’d played admirably on a less-than-great Raiders squad, not being of the run-class of quarterbacking, so favored by junior-media, and having instead well-honed pocket skills, Palmer was not a favorite of the football press. But the guru w/the glasses saw something in the former Bengals star that his trendy naysayers did not.

Cardinals have met and exceeded one pre-season prognostication as NFC “darkhorse,” compiling a 9-1 mark, even as wily vet Palmer, who was having a Renaissance season, went down & out with a major knee bang (ACL) in W10 to be lost for the duration.

Palmer’s exit was just one of many roster voids Arians and his staff have had to fill since training-camp kicked-off in Glendale last summer.

The defense took notable hits as stick-men Dansby yodeled his way to the Forest City (CLE) and Daryl Washington was suspended early (a/a), while budding young star Ty Mathieu missed early-action recovering from a 2013 knee injury.

The re-worked ‘bastion of bird’ has been fairly staunch (344 ypg (13) / 17.6 ppg (3)), as Johnson (58t-3i) and Jefferson (49t) are complimented by Bucannon (43t), Cromartie (3i), Powers (3i) and Mathieu to form a formidable stick & safety backfield.

It’s the pass rush that’s been pretty pedestrian, scoring only 18 sacks in 10 games.

...........D.Stanton.8.29.12.wc.cca.J.Beall.thmb

Thirty year-old signal-caller Drew Stanton has seen limited duty but filled in capably (C% 53.6 / 5td-2i / 1-0 (6-3cr)) in closing out the win versus Rams when Carson went down. The former Spartan looks to have all the pocket tools in his kit-bag and then baptism-by-fire can sometimes prove divine.

Besides sound quarterback play, i.e., protect the ball, Cards will need more giddy-up in the run game to compensate for lesser pass-efficiency. That means Ellington (624y / 3.4 (41rec / 356y)) and the run men will be expected to pick it up, which can also be said for a receiver corps that will not be a full-force with star Larry Fitzgerald knee hobbled.

But it may take both a Superman’s strength and Clark Kent smarts to survive the gauntlet that awaits Arizona in what has to be the most hellacious remaining schedule in NFL14.

Home games include KC and Seattle with four roadies in Atlanta, St. Louis, who stifled mighty Denver, Seattle again and San Fran, respectively, to close it out.

Where’s that damn bye week when you need one, eh?

Ending last season in loss to intra-division rival San Fran (20-23), at home, no less, dashing any playoff hope, must still stick in Arians’ craw, as it should. Settling that score w/out your #1 QB will be a tall task for the Cards but if anyone can get his crew up for the challenge that lay ahead it’s the resourceful commander Bruce Arians & staff.

Chicago Blues

While the Cardinals, formerly of St. Louis and Chicago (b.1920), are experiencing revival of sorts, their distant cousins in the Windy City, the Bears (b.1920), are having another lackluster season and the natives, in the media, anyway, are getting restless.

Skilled, well-compensated but much maligned signal-caller Jay Cutler is taking most the heat, not so much from fans and players but scribes who need someone to scribble about when the idea ink-well runs dry. Being a quarterback, short a Super Bowl ring and master of a perpetual sullen expression that would’ve given Koko Taylor (1928-09) the blues, Jay has always made an easy target for the faux-fan and namby-pamby media.

........J.Cutler.wc.cca.11.1.09.M.Schadle.thumb

But while Cutler’s been less than Brady-esque in 2014, his numbers don‘t prove out the weight of criticism.

He’s connecting well with his corps as evidenced by a tremendous comp-% (67) and posts a TD-ratio better-than-average (21-12). It’s the toothless Monsters of Midway on defense that aught bear most the blame for coach Trestman’s sour 2nd-year at the helm.

There are bright spots on both sides of the ball as 5th-year DE Willie Young is having his best season yet approaching double-digit sacks (8) and Matt Forte keeps churning out the yards on the ground (733 / 4.2) and in the air (575 / 67) (Pro-football-reference).

“When it’s not working, go back to basics (Dr. Becker).” Good advice for health matters, also good advice for football. And to keep that blood-pressure right, take your fish oil, Co-Q10, magnesium, polyphenolic anti-oxidants, exercise regularly, tune into your favorite melodies and tune out those critics.

.........cherries.Hispalois.Spain.wc.cc.thumb

NFL14 Cherry Picks Week 12: Going Long

Browns (6-4) @ Atlanta (4-6): 11-23 1:00 CBS: ATL wins
Bengals (6-3-1) @ Houston (5-5): 1:00 CBS: Cincy wins
Lions (7-3) @ New England (8-2): 1:00 Fox: Patriots win
Cards (9-1) @ Seattle (6-4): 4:05 Fox (GOTW): SEA wins
Dolphins (6-4) @ Denver (7-3): 4:25 CBS: Broncos win
Cowboys (7-3) @ New York (3-7): 8:30 NBC: Giants win
Ravens (6-4) @ Saints (4-6): 11-24 8:30 ESPN: NO wins

Record: 56 – 31 – 1

Steven Keys
NFL HunchLine
Photo credits: AZ-Cards, 8.29.13, wc.cca, J.Beall; J.Hawkins(Arias), Ben-Hur, wc.cca, 1959; Palmer, wc.cca, G.Buch, 9.8.14; Stanton, wc.cca, 8.29.12, J.Beall; J.Cutler, 11.1.09, Schadle, wc.cca; Cherries, 7.2.12, Hispalois, Spain, wc.cca.
Posted: 11-21-14 @ 6:55pm; edit @ 11:29 EST